Revelation 22

Which worship songs are based on Revelation 22?

The Curse — Becoming the Archetype (2022) Revelation 22:1-3
The life-giving water brought into a cursed, dying world closely evokes Revelation's water of life, which flows from God in the restored creation where the curse is removed. The song reverses that vision by depicting humanity carelessly rejecting the offered source of restoration.
Come to the River of Life — Don Moen (2024) Revelation 22:1-2
The river of life, its freely offered water and healing, and the absence of sorrow and night collectively draw on Revelation's vision of the new creation.
Flow Like a River — Israel & New Breed (2022) Revelation 22:1-2
The combined imagery of a life-giving river and healing extending to a nation closely evokes Revelation’s river of life and the healing of the nations. The song adapts this new-creation image into a prayer for present personal and national restoration.
River of Life (live) — Mac Powell (2022) Revelation 22:1-2
The song’s central image of a life-giving river associated with healing closely reflects Revelation’s river of the water of life and its healing provision.
Shekinah Glory — Nathaniel Bassey (2024) Revelation 22:1
The life-giving river proceeding from God's throne unmistakably evokes John's vision of the river of the water of life in the New Jerusalem.
One Drink (Live) — Naomi Raine (2025) Revelation 22:1-5
The river proceeding from God’s throne, the tree of life, the disappearance of night, God as light, and the everlasting reign of the redeemed collectively paraphrase this vision of the new creation.
Feeling Low — Will Reagan & United Pursuit (2017) Revelation 22:1
The recurring life-giving water imagery closely matches Revelation’s fountain, river, and freely offered water of life. The song uses this image for divine restoration amid grief and spiritual collapse.
Whosoever Will May Come — 11th Hour (2021) Revelation 22:1
The central invitation closely follows Revelation’s call for anyone who is thirsty and willing to receive the water of life. The song reinforces the connection through its river-of-life imagery and repeated universal summons.
Cascading River of Love — John Pape (2022) Revelation 22:1-2
The image of a powerful life-giving current proceeding from God’s throne directly recalls John’s vision of the river of the water of life flowing from the divine throne.
Praise and Honor — John Pape (2022) Revelation 22:1
The river proceeding from God's throne unmistakably evokes John's vision of the water of life flowing from the throne of God and the Lamb.
Awaken Me — Khaya Mthethwa & Oasis Worship (2018) Revelation 22:1-2
Its portrayal of true life flowing from God’s throne closely evokes Revelation’s river of the water of life proceeding from the throne of God and the Lamb.
Home at Last — Natalie Bergman (2021) Revelation 22:1-2
The song envisions the dead in a restored paradise characterized by the tree of life and the end of mourning. These combined details unmistakably evoke Revelation’s vision of the new creation.
In Saecula Saeculorum — Raul Hurtado (2020) Revelation 22:1-5
The combined images of eternal life, life-giving fruit, a pure flowing source, and divine light closely resemble John's vision of the river and tree of life in the new creation, where God provides light forever.
Invitation Only — Stryper (2020) Revelation 22:1-2
The vision of an everlasting tree in a deathless realm strongly evokes the Tree of Life in the restored creation, where it stands beside the river flowing from God's throne.
The River (of Happiness) — Josh Turner (2018) Revelation 22:1-3
The heavenly river associated with everlasting happiness evokes Revelation’s river of the water of life in the presence of God and the Lamb.
Ancient Love - Live — John Mark McMillan (2025) Revelation 22:2
The mention of 'Your living fruit from the tree of life' evokes the imagery of the tree of life found in Revelation, symbolizing eternal life and divine sustenance.
Our Testimony — Bridge Worship & Bryan Robison (2023) Revelation 22:2
The vision of God healing nations echoes Revelation's new-creation image of the nations receiving healing, fitting the surrounding appeal for universal restoration.
How Shall I Sing? - Live — Keith & Kristyn Getty (2017) Revelation 22:3-5
The departed saints beholding the Savior recalls the redeemed servants in the new creation seeing God's face and worshiping before His throne forever.
When Christ Our Life Appears - Live — Sovereign Grace Music (2019) Revelation 22:3
The promised removal of tears and death, the renewal of all things, and the undoing of the curse closely combine distinctive features of Revelation’s vision of the new creation.
Sublime - Ao Vivo — fhop music (2025) Revelation 22:4
The anticipated day of seeing the Beloved's face reflects Revelation's promise that God's servants will behold him directly in the consummated new creation.
Earth And Heaven Roar - Live — Bryan McCleery (2024) Revelation 22:4
The expectation of seeing God face to face and having every tear removed combines two specific images from Revelation's vision of eternal life in the new creation.
Worthy of My Song — Phil Wickham (2022) Revelation 22:4
The anticipated face-to-face encounter with God and the removal of tears combine two distinctive images from Revelation’s vision of the new creation.
Grace Amazing — MercyMe (2022) Revelation 22:4
The promised removal of tears and the future sight of God’s face combine two specific images from Revelation’s vision of the new creation.
Glory Hallelujah — TAYA (2022) Revelation 22:4
The bridge combines Revelation’s new-creation promises that sorrow and tears will end and that God’s servants will behold him directly. Its future communal setting makes the correspondence specifically eschatological rather than a general hope for emotional recovery.
How Long, O Lord - Live — Sovereign Grace Music (2017) Revelation 22:4
The interlude combines Revelation's promises that God will remove his people's tears and that his servants will behold him directly in the new creation.
How Sweet It Is — Chris Tomlin (2018) Revelation 22:4
The third verse combines Revelation’s new-creation promises that God will remove every tear and that His servants will behold Him directly.
Hello Out There — Johnny Cash (2024) Revelation 22:5
The promised thousand-year reign directly reflects Revelation 20, while the divine titles, morning-star imagery, and eternal world without night closely reflect Revelation 22.
Terminal In The Sky — Ernie Haase & Signature Sound (2021) Revelation 22:5
The heavenly destination combines several distinctive images from the New Jerusalem: tears are removed, darkness and night are absent, and entry is through gates associated with pearls. The song changes the one wiping tears from God to angels, but the dependence on Revelation's imagery remains clear.
Abre os Selos - Ao Vivo — Nívea Soares (2024) Revelation 22:5
The disappearance of death and pain together with the ending of night combines distinctive features of John's vision of the renewed creation.
As It Is in Heaven — Corey Voss & Michael Farren & Alisa Turner (2018) Revelation 22:5
The description of a realm without darkness, illuminated in connection with God’s revealed glory, closely reflects Revelation’s vision of the new creation, where divine glory supplies the light and night is absent.
Jesus Be The Name (feat. Tiffany Hudson) — Elevation Worship (2025) Revelation 22:12-13
The combination of Jesus as the first and last with the expectation of His imminent return closely reflects Revelation’s concluding declarations.
Así Será (Si Él Lo Dijo) — Elevation Español (2026) Revelation 22:12-13
The song applies Revelation’s divine title for the one who encompasses the beginning and end directly to Jesus, emphasizing his eternal sovereignty.
Que Jesus Seja O Nome — Elevation Español, Maria Marçal (2026) Revelation 22:12-13
Jesus is presented as sovereign over the beginning and completion of history, with his promised return placed alongside that apocalyptic title.
He Who Is To Come (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 22:12
The closing petition closely reproduces Revelation’s final exchange: Christ announces that his coming is certain, and the Spirit, the bride, and the church answer with an appeal for his return.
Existe Uma Geração - Ao Vivo — Isaias Saad (2023) Revelation 22:12
The repeated announcement that Jesus is coming soon and will return echoes Revelation’s closing promise of Christ’s imminent coming.
É Ele — Drops INA (2024) Revelation 22:12
The repeated announcement that the powerful sovereign will come carrying his reward closely combines Isaiah’s image of the Lord’s powerful arrival with Christ’s promise at the close of Revelation.
1,000 Names — Phil Wickham (2021) Revelation 22:13
The title presenting Christ as both history's origin and conclusion directly uses Revelation's language for the eternal Lord.
FINAL WORD (Now) — Sinach (2026) Revelation 22:13
The song applies Revelation’s first-and-last divine title to Jesus, presenting him as sovereign over the whole course of history.
Your Name Is God — Elevation Worship (2026) Revelation 22:13
The bridge directly uses Revelation's titles for Christ as the supreme King and Lord and as the Alpha and Omega.
SO BE IT (feat. Tiffany Hudson & Chris Brown) - Live — Elevation Worship (2026) Revelation 22:13
The titles Alpha and Omega and first and last unmistakably invoke Christ's self-identification near the conclusion of Revelation.
1,000 Names (Acoustic) — Phil Wickham (2022) Revelation 22:13
The title describing God as history's beginning and end directly reproduces one of Revelation's divine designations.
Great Is the Lord Our God — Avalon (2020) Revelation 22:13
The bridge and final verse apply Revelation’s paired titles for the first and last Greek letters, together with its description of the speaker as the beginning and the end.
The Awakening — Becoming the Archetype (2022) Revelation 22:13
The divine speaker combines Daniel’s title for the eternally preexistent God with Revelation’s identification of God as sovereign over both the origin and consummation of history.
Thank You — Gregory Porter (2020) Revelation 22:13
The childhood testimony describes God as the defining beginning and end of Porter’s life, invoking Christ’s title as the Beginning and the End in Revelation.
Sanctuary/Alpha & Omega/Total Praise — Israel & New Breed (2021) Revelation 22:13
The song directly uses Revelation’s divine title formed from the first and last letters of the Greek alphabet, identifying God as sovereign over the beginning and the end.
Alpha And Omega (Live) — Bethel Music, Peter Mattis, Sarah Sperber (2024) Revelation 22:13
The song uses Revelation's distinctive divine title identifying God as the first and the last, emphasizing his eternal existence and sovereignty.
Schöpfer — BETHEL (2023) Revelation 22:13
The song applies Revelation’s paired divine titles and its language of absolute beginning and end directly to God, presenting him as existing before and beyond all created reality.
Word of God — Peyton Parrish (2025) Revelation 22:13
The pre-chorus reproduces Revelation’s three parallel titles declaring divine sovereignty over the whole span of history and existence.
Leão de Judá — Julliany Souza (2025) Revelation 22:13
The song applies Revelation’s title for the one who stands at both boundaries of history to Christ, affirming his eternal supremacy.
He Is — Crowder (2021) Revelation 22:13
The bridge reproduces Revelation’s paired divine titles identifying Christ as Alpha and Omega and as the beginning and end.
Alfa e Ômega - Ao Vivo — fhop music (2025) Revelation 22:13
The song title directly uses Revelation’s divine designation for the one who encompasses the beginning and the end. The chorus’s language of glory, worship, and worthiness is consistent with that title but is too general to establish an additional passage.
Say Amen — Mike Teezy (2024) Revelation 22:13
The paired divine titles Alpha and Omega reproduce the distinctive designation used by Christ in Revelation.
Lord and Friend — CeCe Winans (2024) Revelation 22:13
The bridge directly adopts Revelation’s paired designations for Christ’s identity as the origin and culmination of all things.
Command My Soul — ReFRESH Worship & Michael Perry Jr. & Diana Marie (2025) Revelation 22:13
The song assembles Revelation's distinctive titles for Jesus: the first and last, the beginning and end, David's descendant, and the supreme King and Lord. This cluster is unmistakably drawn from Revelation's portrayal of Christ.
Majestade - Ao Vivo — fhop music (2025) Revelation 22:13
The bridge directly uses Revelation's paired titles for Christ that identify him as the origin and culmination of all things.
Yeshua — Dunsin Oyekan (2024) Revelation 22:13
The song applies to Yeshua the self-designation used by Jesus in Revelation, identifying him as the one who encompasses the beginning and completion of all things.
The Same Jesus - Live — Matt Redman (2020) Revelation 22:13
The bridge uses Revelation's paired divine titles for the one who stands at both the origin and completion of history.
What A Worthy Name — Passion & Chidima (2026) Revelation 22:13
The paired titles describing Christ as both the first and last and the beginning and end closely reproduce Revelation's divine self-designation.
YOU ARE NOT HIM! — Christopher Syncere (2025) Revelation 22:13
The divine designation Alpha and Omega is directly invoked while the artist denies that this title belongs to himself.
How Holy (Live) — UPPERROOM & Andre'a Alexis (2025) Revelation 22:13
The bridge closely reproduces Revelation’s declarations of divine eternity and Christ’s identity as the beginning and end, the ever-living one who overcame death.
The Center of It All — Mac Powell (2021) Revelation 22:13
The repeated presentation of Christ as encompassing history’s beginning and ending echoes his identification as the Beginning and the End.
The Gospel — Bizzle (2018) Revelation 22:13
Jesus is given Revelation's paired titles expressing his sovereignty over the beginning and completion of history.
Pride & Prejudice — Jackie Hill Perry (2025) Revelation 22:13
The song applies Revelation’s divine title for the beginning and end to God while presenting Him as sovereign over death and humanity’s final destiny.
Behold Him - Live — Citizens & Mission House & REVERE (2021) Revelation 22:13
The later chorus applies Revelation's paired first-and-last designation directly to Jesus, presenting him as the one who encompasses the whole course of history.
God of Forever — Steven Curtis Chapman (2016) Revelation 22:13
The opening description of God as first and last and as existing beyond beginning and end closely follows Christ's declaration of divine eternality in Revelation.
I Want to Praise Him — 11th Hour (2017) Revelation 22:13
The song applies to Jesus Revelation's paired first-and-last designation and its image of the radiant star heralding the dawn.
Assurance — Building 429 (2018) Revelation 22:13
The divine title identifying God as the origin and conclusion of all things condenses Revelation's declaration of the Alpha and Omega, the first and the last.
Across The Lands (Incarnation / Of the Father's Love Begotten) - Live — Keith & Kristyn Getty & Sing! (2019) Revelation 22:13
The first sung verse applies Revelation’s paired first-and-last titles to Christ and identifies him as the origin and goal of history.
Walk On Water — Family Force 5 (2021) Revelation 22:13
The bridge identifies God as encompassing both the origin and completion of all things, closely paraphrasing Christ’s self-description as the beginning and the end.
Anointing — Jesus Culture (2018) Revelation 22:13
The description of God as both the starting point and completion of everything echoes Christ’s self-identification as the beginning and the end.
Behold Him (feat. Kim Walker-Smith) — Paul Baloche & Kim Walker-Smith (2019) Revelation 22:13
The expanded chorus assigns Jesus Revelation's paired Greek-letter title, identifying him as sovereign over the beginning and end.
Older Than Our God (Forever Young) — Chris Renzema (2020) Revelation 22:16
The song applies Revelation’s distinctive final title for Jesus as the radiant star heralding the dawn. This image presents Christ as enduring light and the announcement that darkness is ending.
King Jesus - Live — Jesus Culture (2023) Revelation 22:16
The song applies Revelation’s distinctive title for the exalted Jesus as the bright morning star.
Righteous One — Nathaniel Bassey & Victoria Orenze (2021) Revelation 22:16
The designation of Jesus as the bright morning star directly invokes Christ’s self-identification near the conclusion of Revelation.
Jesus You're Beautiful (Live) — CeCe Winans (2021) Revelation 22:16
The song identifies Jesus with the radiant morning-star title that the risen Christ applies to himself near the conclusion of Revelation.
Light Up the Sky — The Afters (2018) Revelation 22:16
The description of God as the bright morning sun closely adapts Revelation’s title for Jesus as the bright morning star, using dawn imagery to signify divine presence and hope.
Overflow — Neal Morse (2020) Revelation 22:16
The song applies the morning-star image to the radiant Christ whom Stephen encounters. Revelation 22:16 explicitly identifies Jesus with that title.
The King Is Coming (Live) — Red Rocks Worship & Tyler Roberts (2025) Revelation 22:17
The song references the unity of the Spirit and the Bride, which aligns with the invitation to come and take the water of life freely found in Revelation 22:17.
He Who Is To Come — Kristian Stanfill & Passion & Cody Carnes (2023) Revelation 22:17
The closing prayer joins the Spirit and the bride in calling for Jesus to come, directly adapting the final invitation and response in Revelation.
És o Exaltado - Ao Vivo — MORADA (2020) Revelation 22:17
The final chorus directly invokes the Spirit and the bride joining in the invitation for Christ to come, reproducing the distinctive wording and eschatological appeal of this verse.
At the Cross — Brian Free & Assurance (2017) Revelation 22:17
The universal invitation for anyone willing to come closely echoes Revelation’s concluding summons, which extends freely to whoever desires to receive life.
All Are Welcome — Danny Gokey (2021) Revelation 22:17
The chorus and second verse draw directly from Revelation’s closing invitation, and the spoken interlude explicitly identifies and recites the passage concerning the Spirit, the bride, the hearer, and the freely offered water of life.
Jesus (Ao Vivo) — Nívea Soares (2019) Revelation 22:17
The repeated identification of the church as Christ’s bride calling for him to come directly evokes Revelation’s closing appeal for Jesus’ return.
Advent Song — The Porter's Gate (2021) Revelation 22:20
The closing appeal directly echoes Revelation's final prayer for Jesus to return.
SO BE IT (feat. Tiffany Hudson & Chris Brown) — Elevation Worship (2026) Revelation 22:20
The closing appeal for Jesus to come closely reproduces Revelation’s final prayer for Christ’s promised return.
What I Think About — Zauntee (2024) Revelation 22:20
The assurance of Christ’s imminent return closely restates Jesus’ concluding promise in Revelation.
Send Me (Live) — SEU Worship, Chelsea Plank (2024) Revelation 22:20
The recurring appeal for Jesus to come closely reproduces the closing prayer of Revelation for Christ’s return.
U Getting Jumped Tonight — Social Club Misfits & FERN & Marty (2024) Revelation 22:20
The repeated warning that God is coming soon closely echoes Revelation's concluding promise of Christ's imminent return and urges spiritual readiness.
Come Jesus Come — CeCe Winans (2024) Revelation 22:20
The song’s repeated appeal for Jesus to come closely echoes Scripture’s closing prayer for Christ’s return.
Minha Alma Te Ama (Ao Vivo) — Isadora Pompeo (2024) Revelation 22:20
The closing appeal for Jesus to come directly echoes the final prayer of Revelation, expressing both a desire for present nearness and expectation of Christ’s return.
Simple Kingdom - Live — Bryan & Katie Torwalt & Cody Carnes (2022) Revelation 22:20
The plea for Jesus to come quickly closely echoes Scripture’s final prayer for Christ’s promised return.
Survival — NEEDTOBREATHE (2020) Revelation 22:20
The urgent appeal for Jesus to come quickly closely echoes Revelation’s closing prayer for Christ’s return. The song applies that eschatological appeal to an immediate need for rescue and renewal.
Kingdom of God — Luke + Anna Hellebronth (2019) Revelation 22:20
The opening appeal for Jesus to come repeats the closing prayer of Revelation, expressing longing for Christ’s arrival and final restoration.
Long Distance Letter — Kathy Troccoli (2020) Revelation 22:20
The treasured promise of an imminent meeting with Christ reflects Revelation's concluding assurance that he is coming soon.
Worthy One - Live — Sovereign Grace Music (2019) Revelation 22:20
The petition for Jesus to come reproduces the closing prayer of Revelation and expresses the same longing for his return.
A Thousand Generations (feat. Dan Rivera) — SEU Worship & Dan Rivera (2020) Revelation 22:20
The church’s appeal for the Lord Jesus to come closely reproduces the concluding prayer of Revelation. Its accompanying desire for creation’s restoration reinforces the passage’s eschatological context.
All Praise (Sing Praise) — Vertical Worship (2020) Revelation 22:20
The bridge addresses Jesus and repeatedly affirms the closing promise of Revelation that he will return soon.
OH! Se Fendesses - Ao Vivo — MORADA (2019) Revelation 22:20
The Aramaic invocation for the Lord to come reproduces the early Christian cry preserved by Paul and aligns it with Revelation’s concluding prayer for Jesus’ return.

Revelation 22 (King James Version)

¹ And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb.

² In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.

³ And there shall be no more curse: but the throne of God and of the Lamb shall be in it; and his servants shall serve him:

⁴ And they shall see his face; and his name shall be in their foreheads.

⁵ And there shall be no night there; and they need no candle, neither light of the sun; for the Lord God giveth them light: and they shall reign for ever and ever.

⁶ And he said unto me, These sayings are faithful and true: and the Lord God of the holy prophets sent his angel to shew unto his servants the things which must shortly be done.

⁷ Behold, I come quickly: blessed is he that keepeth the sayings of the prophecy of this book.

⁸ And I John saw these things, and heard them. And when I had heard and seen, I fell down to worship before the feet of the angel which shewed me these things.

⁹ Then saith he unto me, See thou do it not: for I am thy fellowservant, and of thy brethren the prophets, and of them which keep the sayings of this book: worship God.

¹⁰ And he saith unto me, Seal not the sayings of the prophecy of this book: for the time is at hand.

¹¹ He that is unjust, let him be unjust still: and he which is filthy, let him be filthy still: and he that is righteous, let him be righteous still: and he that is holy, let him be holy still.

¹² And, behold, I come quickly; and my reward is with me, to give every man according as his work shall be.

¹³ I am Alpha and Omega, the beginning and the end, the first and the last.

¹⁴ Blessed are they that do his commandments, that they may have right to the tree of life, and may enter in through the gates into the city.

¹⁵ For without are dogs, and sorcerers, and whoremongers, and murderers, and idolaters, and whosoever loveth and maketh a lie.

¹⁶ I Jesus have sent mine angel to testify unto you these things in the churches. I am the root and the offspring of David, and the bright and morning star.

¹⁷ And the Spirit and the bride say, Come. And let him that heareth say, Come. And let him that is athirst come. And whosoever will, let him take the water of life freely.

¹⁸ For I testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto these things, God shall add unto him the plagues that are written in this book:

¹⁹ And if any man shall take away from the words of the book of this prophecy, God shall take away his part out of the book of life, and out of the holy city, and from the things which are written in this book.

²⁰ He which testifieth these things saith, Surely I come quickly. Amen. Even so, come, Lord Jesus.

²¹ The grace of our Lord Jesus Christ be with you all. Amen.