Revelation 21

Which worship songs are based on Revelation 21?

Is He Worthy - Live — Shane & Shane (2026) Revelation 21:1-3
The promised renewed creation, God dwelling with humanity, and divine glory providing its light are specific images from John’s vision of the new creation and New Jerusalem.
New Day — Josh Garrels (2020) Revelation 21:1
The song explicitly anticipates God defeating evil and replacing the present order with a renewed heaven and earth, closely paraphrasing John's vision of the new creation.
LAY ME DOWN (Roo’s Song) — P.O.D. (2024) Revelation 21:1-5
The song closely follows John's vision of the new creation, including the disappearance of the former heaven and earth, the absence of the sea, the removal of tears and pain, and the renewal of all things.
Someday at Christmas — Brian Courtney Wilson (2021) Revelation 21:1-4
The combined vision of a new world without tears strongly resembles Revelation’s renewed creation, where former suffering and death have passed away.
ROOFTOP — Hulvey & nobigdyl. (2026) Revelation 21:1
The marriage feast, renewed earth, and golden roadway form a specific cluster of Revelation’s images for the Lamb’s wedding celebration and the New Jerusalem.
He Who Is To Come (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 21:1-4
The opening verses describe the former order passing away, the end of sorrow and pain, the absence of night, and divine light illuminating the renewed creation.
Is He Worthy? — CeCe Winans (2024) Revelation 21:1-3
The anticipated renewal of all things, God dwelling with humanity, and divine glory replacing ordinary sources of light closely reflect John’s vision of the new creation and New Jerusalem.
Nos Últimos Dias - Ao Vivo — fhop music (2024) Revelation 21:1-5
The promised new heaven and earth, removal of grief, renewal of all things, and God dwelling among humanity closely summarize John’s vision of the new creation.
The Other Side Of The End — Brandon Heath (2024) Revelation 21:2
The imagined heavenly city and its pearl gate draw specifically on John's vision of the New Jerusalem. The song's express preference for Revelation confirms that this imagery is scripturally intentional rather than merely cultural.
Bright, the Rider! — Brian Sauvé (2021) Revelation 21:2-5
Jerusalem depicted as an adorned bride alongside the renewal of the world closely follows John’s vision of the New Jerusalem and creation made new.
The Decree (Live on Octane) — Lacey Sturm (2024) Revelation 21:2-5
The chorus evokes John's vision of the new creation, where God's dwelling descends from heaven, death is abolished, and all things are made new.
How I Got Over (live at New Temple Missionary Baptist Church, Los Angeles, January 13, 1972) (single edit) — Aretha Franklin (2021) Revelation 21:2
The anticipated New Jerusalem and its golden streets reproduce distinctive imagery from John's vision of the restored holy city.
Maybe Next Year — Andrew Peterson (2018) Revelation 21:2-5
The anticipated New Jerusalem, the removal of tears, and God's renewal of all things closely follow John's vision of the new creation.
What An Awesome God (with Michael W. Smith) [Song Session] — Phil Wickham (2026) Revelation 21:3-5
The expectation that God will remove tears, pain, and sorrow at Christ's coming directly reflects Revelation's vision of creation made new and suffering abolished.
Song Of The Saints (with Chris Tomlin) [Live] — Phil Wickham (2026) Revelation 21:3-4
The returning King personally ending the saints' tears closely paraphrases Revelation's promise that God will remove every tear in the renewed creation.
Blood — American Arson (2023) Revelation 21:3-4
The closing vision of permanent freedom from pain, injury, and conflict closely reflects Revelation's description of the new creation, where suffering and death are abolished in God's presence.
No Place Like Home — Anne Wilson (2022) Revelation 21:3-4
The preacher’s description of a future home where God removes tears and heals the suffering caused by death closely paraphrases Revelation’s vision of the new creation, where death, mourning, and pain are abolished.
Hymn Of Heaven - Live — Brian Johnson & Bethel Music & Zahriya Zachary (2021) Revelation 21:3-4
The song closely follows the vision of God dwelling with his people, personally removing their tears, and bringing death and pain to an end.
He’s Never Gunna Change — Lauren Daigle (2023) Revelation 21:3-4
The promise that God removes sorrow and provides an eternal home evokes the new creation, where God dwells with his people and personally ends their mourning.
There Is A King (Morning & Evening) — Elevation Worship (2021) Revelation 21:3-4
The anticipated direct presence of God and the removal of every tear closely follow Revelation’s vision of God dwelling with his people and ending grief and death.
Lord Of My Life - Live — The Belonging Co & Andrew Holt (2023) Revelation 21:3-4
The anticipated day when sorrow and tears cease closely reflects John's vision of God dwelling with his people in the new creation.
The Center of It All — Mac Powell (2021) Revelation 21:3-4
The promise that God will personally remove his people’s tears in their heavenly home closely follows John’s vision of final restoration.
Intro to Glory — KB (2023) Revelation 21:3-4
The song anticipates God's final arrival and direct presence alongside the complete end of pain. That combination closely reflects the new-creation promise that God will dwell with humanity and suffering will cease.
Me on Your Mind — Matthew West (2022) Revelation 21:3-4
The expectation of a future home where sorrow and tears are removed echoes the vision of God dwelling with his people and abolishing mourning in the new creation.
A Million Years — Paul Baloche (2020) Revelation 21:3-4
The promise that tears will cease in God's presence directly evokes the vision of God dwelling with his people and wiping away every tear in the new creation.
'Til the Storm Passes By — Gaither Vocal Band (2018) Revelation 21:3-4
The final vision of dwelling in God's presence after sorrow, darkness, and danger have permanently ended closely reflects Revelation's description of the new creation, where God lives with his people and night and suffering are no more.
More Than Welcome — Aaron Shust (2019) Revelation 21:3-4
The promise that God personally removes his people's tears echoes the vision of God's dwelling with humanity and ending their sorrow.
Is He Worthy / Agnus Dei / We Fall Down — Maverick City Music & Nate Moore (2020) Revelation 21:3
Questions about whether God intends to dwell again with humanity and whether the glory of the Lord will be light in our midst paraphrase the promise of God's dwelling with his people in the new Jerusalem.
Homesick For Heaven (Petey Remix) — Phil Wickham (2026) Revelation 21:4
The vision of tears being removed and death and pain coming to an end directly paraphrases John’s description of life in the new creation.
No More — Between Thieves (2025) Revelation 21:4
The repeated declaration that tears and crying have ended closely echoes the vision of God permanently ending sorrow and weeping in the new creation.
Heaven Changes Everything — Big Daddy Weave (2023) Revelation 21:4-5
The linked images of tears, death losing its finality, and broken things being restored evoke John’s vision of the new creation, where sorrow and death pass away and God makes all things new.
Jaybird — Big Daddy Weave (2025) Revelation 21:4
The phrase about flying to a place where no one dies aligns with the vision in Revelation where God wipes away every tear and there is no more death.
in a world — CHANGETHEWXRLD (2024) Revelation 21:4
The promise that God will remove every tear closely reproduces Revelation’s description of the new creation, where suffering and death are ended.
Come to the River of Life — Don Moen (2024) Revelation 21:4
The river of life, its freely offered water and healing, and the absence of sorrow and night collectively draw on Revelation's vision of the new creation.
Be Honest — Forrest Frank (2023) Revelation 21:4
The vision of entering God's kingdom without sorrow or pain closely paraphrases the promise that suffering will cease in the new creation.
I'll Never Break The Heart Of God — Greater Vision (2022) Revelation 21:4
The song explicitly invokes the biblical promise that tears, death, and suffering will be absent from the new creation, including God's act of wiping tears away.
Don't Cry — JSP (2025) Revelation 21:4
The description of the departed person being free from pain in heaven closely reflects the promise that suffering, mourning, and pain will cease in God's renewed creation.
Here With You — Jeremy Camp (2021) Revelation 21:4
The promised future without separation, death, pain, or tears closely parallels the vision of the new creation in which those former sorrows have passed away.
I’ll Fly Away — Josiah Queen (2025) Revelation 21:4
The song expresses a longing for a place where pain and suffering are absent, which aligns with the promise in Revelation 21:4 that God will wipe away every tear and there will be no more death or mourning.
Come Jesus Come - Live — Maverick City Music & Stephen McWhirter (2025) Revelation 21:4
The song expresses a longing for Jesus to return and heal every hurt, which resonates with the promise in Revelation that God will wipe away every tear and eliminate pain.
Life’s Railway to Heaven (radio transcription) — Patsy Cline (2025) Revelation 21:4
The reference to reaching a 'blissful shore' and the mention of 'forevermore' aligns with the promise of no more sorrow or pain found in Revelation 21:4, suggesting a vision of eternal peace.
Song Of The Saints — Phil Wickham (2025) Revelation 21:4
The song references the promise of God wiping away every tear, which aligns with the vision of comfort and restoration found in Revelation 21:4.
In the Vastness of the Universe — Raul Hurtado (2020) Revelation 21:4
The combined disappearance of death, crying, and pain closely follows Revelation's description of the renewed creation. The song invokes that recognizable cluster while questioning whether an existence without love would constitute genuine redemption.
Earth And Heaven Roar - Live — Bryan McCleery (2024) Revelation 21:4
The expectation of seeing God face to face and having every tear removed combines two specific images from Revelation's vision of eternal life in the new creation.
Scars in Heaven — Casting Crowns (2021) Revelation 21:4-5
The promised absence of pain, tears, and brokenness, together with the renewal of what was old, closely paraphrases John's vision of God ending suffering and making all things new.
This Side Of Heaven — Seph Schlueter (2025) Revelation 21:4
The expectation of a future without tears or suffering closely paraphrases the promise of the new creation, where God removes mourning, pain, and death.
Shall Not Want — Elevation Worship (2021) Revelation 21:4
The final chorus directly invokes the new-creation promise that God will personally remove every tear from his people’s eyes.
Farther Along — Ron Carter & Ricky Dillard & The Baylor Project (2026) Revelation 21:4
The theme of understanding and joy in the presence of Jesus, particularly in the context of future hope, resonates with the promise of God wiping away tears and bringing an end to suffering as found in Revelation 21:4.
Terminal In The Sky — Ernie Haase & Signature Sound (2021) Revelation 21:4
The heavenly destination combines several distinctive images from the New Jerusalem: tears are removed, darkness and night are absent, and entry is through gates associated with pearls. The song changes the one wiping tears from God to angels, but the dependence on Revelation's imagery remains clear.
Abre os Selos - Ao Vivo — Nívea Soares (2024) Revelation 21:4
The disappearance of death and pain together with the ending of night combines distinctive features of John's vision of the renewed creation.
Think About There — Greater Vision (2022) Revelation 21:4
The promised heavenly end of tears, fear, and trouble closely reflects John's vision of the new creation, where God removes sorrow, death, and pain.
Praise and Honor — John Pape (2022) Revelation 21:4
The bridge closely paraphrases the new-creation promise that tears, mourning, and pain will be permanently abolished in God's presence.
Grace Amazing — MercyMe (2022) Revelation 21:4
The promised removal of tears and the future sight of God’s face combine two specific images from Revelation’s vision of the new creation.
Worthy of My Song — Phil Wickham (2022) Revelation 21:4
The anticipated face-to-face encounter with God and the removal of tears combine two distinctive images from Revelation’s vision of the new creation.
Ancient Gates (Live) — Brooke Ligertwood (2022) Revelation 21:4
The description of everlasting divine light, the absence of night, and the removal of tears and sorrow closely condenses John's vision of the new Jerusalem.
Death is Not the End — Aaron Shust (2019) Revelation 21:4-5
The image of God removing every tear while restoring what suffering has broken evokes the new-creation vision in which death, mourning, and pain are abolished and all things are made new.
New Normal — Cade Thompson (2021) Revelation 21:4
The promise that God will ultimately remove every tear closely invokes Revelation’s vision of a restored creation without death, mourning, crying, or pain.
See You Soon — Cade Thompson (2023) Revelation 21:4-5
The song’s vision of heaven combines the removal of every tear with God’s renewal of all things, closely paraphrasing John’s vision of the new creation. Its language of healing and the end of sorrow also reflects the passage’s promise that death and pain will cease.
Days Like These (TRUST U) — Hillsong UNITED (2022) Revelation 21:4-5
The repeated expectation that sorrow, pain, grief, and tears will disappear closely paraphrases John’s vision of God abolishing death and mourning while making all things new.
Father — Jeremy Camp (2019) Revelation 21:4
The chorus combines God personally removing His child's tears with the declaration of a father-child relationship, closely reflecting the linked promises in Revelation 21. The song applies these images to present comfort and restoration rather than explicitly describing the passage's new-creation setting.
By and By — NEEDTOBREATHE (2023) Revelation 21:4
The promised destination where present sorrow permanently disappears closely reflects Revelation’s vision of the final renewal, in which mourning, pain, and death are no more.
Glory Hallelujah, I’m Gonna Fly Home Soon — Natalie Bergman (2021) Revelation 21:4
The promised end of tears in the heavenly home closely paraphrases John's vision of God ending mourning, pain, and death in the new creation.
Dancing in the Sky — Sam Barber (2023) Revelation 21:4
The song's hope that the deceased is now beyond pain closely reflects Revelation's promise that suffering, mourning, and death will be absent from God's renewed creation.
Glory Hallelujah — TAYA (2022) Revelation 21:4
The bridge combines Revelation’s new-creation promises that sorrow and tears will end and that God’s servants will behold him directly. Its future communal setting makes the correspondence specifically eschatological rather than a general hope for emotional recovery.
Take Shelter — Keith & Kristyn Getty & Skye Peterson (2022) Revelation 21:4
The final verse depicts believers reaching their eternal home, passing within its secure gates, and leaving present suffering behind. This closely reflects Revelation's vision of the holy city, where former sorrow has ended and God's people dwell safely.
The Prayer — Donnie McClurkin (2016) Revelation 21:4
The communal prayer envisions a future in which pain and sorrow cease and human brokenness is healed, closely paralleling Revelation’s vision of God ending mourning, suffering, and pain.
Home at Last — Natalie Bergman (2021) Revelation 21:4
The song envisions the dead in a restored paradise characterized by the tree of life and the end of mourning. These combined details unmistakably evoke Revelation’s vision of the new creation.
God of Forever — Steven Curtis Chapman (2016) Revelation 21:4
The final verse draws on the New Jerusalem, where God removes every tear and divine glory supplies light without the sun.
How Long, O Lord - Live — Sovereign Grace Music (2017) Revelation 21:4
The interlude combines Revelation's promises that God will remove his people's tears and that his servants will behold him directly in the new creation.
I Pray My Way Out of Trouble — Josh Turner (2018) Revelation 21:4
The image of the Lord personally removing tears closely reflects Revelation’s promise that God will wipe away every tear, though the song applies the image to present comfort rather than solely to the new creation.
The River (of Happiness) — Josh Turner (2018) Revelation 21:4
The promised afterlife is described as a place where crying, sorrow, and loneliness have ended, closely paraphrasing the new creation’s removal of tears, mourning, and pain.
When Christ Our Life Appears - Live — Sovereign Grace Music (2019) Revelation 21:4-5
The promised removal of tears and death, the renewal of all things, and the undoing of the curse closely combine distinctive features of Revelation’s vision of the new creation.
Singing With the Saints — Guy Penrod (2017) Revelation 21:4
The promised disappearance of pain and the absence of night closely follow John's description of the New Jerusalem, where suffering has ended and God's glory provides perpetual light.
Wynter’s Promise — Kirk Franklin (2019) Revelation 21:4
The bridge closely echoes the promise that God will remove His people's tears and that pain will cease in the restored creation.
The Other Side — Colton Dixon (2017) Revelation 21:4
The bridge closely paraphrases the promise that sorrow, crying, pain, and death will be abolished in God's restored creation.
Fight Anymore — For All Seasons (2018) Revelation 21:4
The bridge closely invokes the new-creation promise that God personally removes his people's tears and that pain and former suffering come to an end. The song explicitly places this complete restoration in eternity.
The Prayer — Pentatonix (2021) Revelation 21:4
The bridge envisions a future world in which pain and sorrow cease, closely reflecting Revelation's description of suffering, mourning, and death passing away in the new creation.
How Sweet It Is — Chris Tomlin (2018) Revelation 21:4
The third verse combines Revelation’s new-creation promises that God will remove every tear and that His servants will behold Him directly.
This Too Shall Pass — Jeremy Camp (2021) Revelation 21:4
The refrain closely echoes the promise that God will personally remove sorrow in the new creation. The bridge’s eternal horizon reinforces Revelation’s setting, where grief and death finally end.
All Things New — Elevation Worship (2011) Revelation 21:5
The song’s central declaration closely reproduces God’s announcement in Revelation that he is renewing the whole created order.
God & Prozac — Chris Renzema (2023) Revelation 21:5
The song invokes God's promise of universal renewal using the distinctive wording of the one seated on the throne in Revelation.
Back To The Garden — John Mark McMillan (2025) Revelation 21:5
The lyrics express a belief in God remaking old things and making the universe new, which resonates with the promise of renewal found in Revelation.
I Just Really Love You - Live — Red Rocks Worship (2019) Revelation 21:5
The song adopts Revelation’s declaration that God is renewing everything, presenting divine restoration as already underway.
You Will Make All Things New — Sovereign Grace Music (2026) Revelation 21:5
The repeated assertion that Jesus will make all things new resonates with the declaration in Revelation that God will make all things new, emphasizing the theme of renewal and hope in the face of despair.
Never Will — Life.Church Worship (2020) Revelation 21:5
The song directly invokes God's declaration that he is renewing all things, placing present suffering within Revelation's promise of final restoration.
Not Finished Yet — Chris Renzema (2020) Revelation 21:5
The bridge directly invokes the declaration of the enthroned God in Revelation that creation is being renewed. Its placement after images of rubble and ruin also aligns with the passage's vision of restoration after the former order has passed away.
God and God Alone — Aaron Williams (2025) Revelation 21:5
The bridge reproduces Revelation's divine promise of universal renewal, fitting the surrounding expectation that suffering will end.
Come Through - Live — Kim Walker‐Smith (2020) Revelation 21:5
The closing interlude directly invokes Revelation's declaration that God renews all things, applying the promise of final cosmic renewal to personal redemption.
I'd Never Know — Hawk Nelson (2018) Revelation 21:5
The expectation that God will renew everything closely echoes the declaration from the throne that God is making all things new.
Again and Again — Jason Gray (2020) Revelation 21:5
The declaration that God is making all things new closely echoes the enthroned God's promise in Revelation's vision of renewed creation.
To Not Worship You — MercyMe (2022) Revelation 21:5
The chorus connects Christ’s victory over death with God’s declaration that he renews the whole created order.
Beautiful Jesus — Passion (2022) Revelation 21:5
The request to return to a state in which everything is new echoes Christ's declaration of universal renewal in Revelation. The song applies that newness personally as a desire for restored spiritual life.
This Changes Everything — Brandon Heath (2022) Revelation 21:5
The description of God continually renewing everything closely echoes the enthroned God's declaration of universal renewal in Revelation.
Moving Forward — Israel & New Breed (2021) Revelation 21:5
The refrain closely restates God's declaration that he renews all things, placing divine renewal at the center of the song.
NewBreed Anthem — Israel & New Breed (2022) Revelation 21:5-6
The song combines God's renewal of all things with the title Alpha and Omega, two closely linked declarations in Revelation's vision of final restoration.
Different Story — Jon Thurlow (2017) Revelation 21:5
The bridge closely echoes God's declaration that he is making all things new, applying that promise specifically to the speaker's inward renewal.
All That Matters — Colton Dixon (2017) Revelation 21:5
The chorus attributes to God the comprehensive renewal announced by the enthroned One in John's vision of the new creation.
Heroes — Essential Worship (2017) Revelation 21:5
The bridge closely restates the declaration of the enthroned God in Revelation's vision of final cosmic renewal.
Sunday Sermons — Anne Wilson (2022) Revelation 21:5
The declaration that God makes everything new closely echoes the enthroned Christ’s promise of comprehensive renewal in Revelation.
Blank Canvas — Jordan Feliz (2018) Revelation 21:5
The chorus directly invokes God's declaration from the heavenly throne that he is renewing everything. The song applies that promised divine renewal to lives marked by failure and shame.
All Things New — Big Daddy Weave (2019) Revelation 21:5
The central refrain closely reproduces God's declaration in Revelation that he renews the whole created order. The song applies that promise of new creation to personal healing and restoration.
Heaven's Well - Live — Grace City & Chase Wagner (2019) Revelation 21:5
The declaration that God is renewing everything closely paraphrases the enthroned Christ’s announcement of universal restoration in Revelation.
Wait Upon the Lord (Spontaneous) - Live — Leeland (2019) Revelation 21:5
The declaration of comprehensive renewal unmistakably echoes the enthroned One’s promise in Revelation, though the song emphasizes its present activity.
All Things New — Travis Greene (2019) Revelation 21:5
The divine first-person declaration of making all things new directly reproduces the throne-room promise where God announces universal renewal, repeated as the song's central refrain.
The Curse — Becoming the Archetype (2022) Revelation 21:6
The life-giving water brought into a cursed, dying world closely evokes Revelation's water of life, which flows from God in the restored creation where the curse is removed. The song reverses that vision by depicting humanity carelessly rejecting the offered source of restoration.
Sanctuary/Alpha & Omega/Total Praise — Israel & New Breed (2021) Revelation 21:6
The song directly uses Revelation’s divine title formed from the first and last letters of the Greek alphabet, identifying God as sovereign over the beginning and the end.
Alpha And Omega (Live) — Bethel Music, Peter Mattis, Sarah Sperber (2024) Revelation 21:6
The song uses Revelation's distinctive divine title identifying God as the first and the last, emphasizing his eternal existence and sovereignty.
Alfa e Ômega - Ao Vivo — fhop music (2025) Revelation 21:6
The song title directly uses Revelation’s divine designation for the one who encompasses the beginning and the end. The chorus’s language of glory, worship, and worthiness is consistent with that title but is too general to establish an additional passage.
Feeling Low — Will Reagan & United Pursuit (2017) Revelation 21:6
The recurring life-giving water imagery closely matches Revelation’s fountain, river, and freely offered water of life. The song uses this image for divine restoration amid grief and spiritual collapse.
Loco! — Bryson Gray (2021) Revelation 21:8
The warning that the unbelieving face the lake of fire draws specifically on Revelation's list of those assigned to the fiery lake.
Salvation — Bryson Gray (2021) Revelation 21:8
The warning that unbelievers face the lake of fire uses Revelation’s specific image of final judgment.
Chapter and Verse — Bryson Gray (2021) Revelation 21:8
The explicit citation is accompanied by a summary of the final punishment awaiting the persistently wicked.
Altar — Chaotic Resemblance (2022) Revelation 21:9
The waiting bride dressed in white and identified as the Lamb's wife directly reflects Revelation's marriage imagery for Christ and his redeemed people.
Only You Lord, Only You — 11th Hour (2024) Revelation 21:18-21
The combination of jasper construction, splendid gates, and a golden street unmistakably depicts John’s vision of the New Jerusalem.
Letters To Heaven — 11th Hour (2021) Revelation 21:21
The envisioned heavenly city uses Revelation's distinctive image of a roadway made from pure gold.
Dirt Roads In Heaven — Anne Wilson (2024) Revelation 21:21
The song engages the New Jerusalem's distinctive golden-street imagery, contrasting that biblical vision with its imagined dirt roads in heaven.
Songs About Whiskey — Anne Wilson (2024) Revelation 21:21
The golden street used to represent the singer’s heavenly destination comes from John’s vision of the New Jerusalem.
FATHER’S HOUSE — Forrest Frank (2025) Revelation 21:21
The song references the imagery of streets made of gold, which is a biblical image associated with the New Jerusalem in Revelation, symbolizing beauty and divine splendor.
Heaven On My Mind — TobyMac, Forrest Frank (2025) Revelation 21:21
The song's imagery of 'golden streets' directly evokes the description of the New Jerusalem in Revelation, where streets are made of gold, symbolizing the beauty and glory of Heaven.
I Thank God — Housefires, JWLKRS Worship, Ryan Ellis, Blake Wiggins (2023) Revelation 21:21
The anticipated golden streets draw on John's description of the New Jerusalem and locate the singer's testimony within the hope of eternal life.
Forever Home — Chris Tomlin (2020) Revelation 21:21
The transformation from an ordinary gravel road to golden streets unmistakably invokes John’s description of the New Jerusalem, whose street is made of pure gold.
I WILL BE WITH YOU ALWAYS — Reverend Kristin Michael Hayter (2023) Revelation 21:21
The heavenly vision combines pearls with a golden street, distinctive details from Revelation’s description of the New Jerusalem.
Child of the King — Mike Teezy (2022) Revelation 21:21
The anticipated golden road after death evokes John's vision of the New Jerusalem, whose street is made of pure gold.
Outskirts of Heaven (feat. Craig Campbell) — Warren Zeiders & Craig Campbell (2021) Revelation 21:21
The description of heaven using gates made of pearl and streets of gold directly draws on John's vision of the New Jerusalem.
Mansions — Anne Wilson (2022) Revelation 21:21
The description of heaven’s streets as gold draws on John’s vision of the New Jerusalem, whose principal street is made of pure gold.
Chariot — Hillsong UNITED (2022) Revelation 21:21-25
The destination where darkness and night are absent and divine glory illuminates the streets closely reflects John's vision of the New Jerusalem, whose streets are radiant and which needs no created light because of God's glory.
The Epilogue (For Me) — Da’ T.R.U.T.H. (2018) Revelation 21:21
The anticipated heavenly future featuring streets of gold draws specifically on John's vision of the New Jerusalem.
Longing for Home — Ernie Haase & Signature Sound (2018) Revelation 21:21
The description of the eternal home through golden streets directly invokes John's vision of the New Jerusalem, whose main street is made of pure gold.
As It Is in Heaven — Corey Voss & Michael Farren & Alisa Turner (2018) Revelation 21:23-25
The description of a realm without darkness, illuminated in connection with God’s revealed glory, closely reflects Revelation’s vision of the new creation, where divine glory supplies the light and night is absent.
He’s a Rebel — Donna Summer (2023) Revelation 21:27
The song invokes Revelation’s image of the Lamb’s book of life, the register of those who belong to the Lamb and may enter the holy city.
NEW LEAF (Turning the Page) — Mike Teezy (2024) Revelation 21:27
The claim that the singer's name is recorded in a divine book evokes the Lamb's book of life, which contains the names of those belonging to God's redeemed people.
A Witch's Invitation — Carman (2017) Revelation 21:27
The explicit image of a person’s name being recorded in the Lamb’s Book of Life comes from Revelation’s register of those who belong to the Lamb and enter the holy city.

Revelation 21 (King James Version)

¹ And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea.

² And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.

³ And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God.

⁴ And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.

⁵ And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful.

⁶ And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely.

⁷ He that overcometh shall inherit all things; and I will be his God, and he shall be my son.

⁸ But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and sorcerers, and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death.

⁹ And there came unto me one of the seven angels which had the seven vials full of the seven last plagues, and talked with me, saying, Come hither, I will shew thee the bride, the Lamb’s wife.

¹⁰ And he carried me away in the spirit to a great and high mountain, and shewed me that great city, the holy Jerusalem, descending out of heaven from God,

¹¹ Having the glory of God: and her light was like unto a stone most precious, even like a jasper stone, clear as crystal;

¹² And had a wall great and high, and had twelve gates, and at the gates twelve angels, and names written thereon, which are the names of the twelve tribes of the children of Israel:

¹³ On the east three gates; on the north three gates; on the south three gates; and on the west three gates.

¹⁴ And the wall of the city had twelve foundations, and in them the names of the twelve apostles of the Lamb.

¹⁵ And he that talked with me had a golden reed to measure the city, and the gates thereof, and the wall thereof.

¹⁶ And the city lieth foursquare, and the length is as large as the breadth: and he measured the city with the reed, twelve thousand furlongs. The length and the breadth and the height of it are equal.

¹⁷ And he measured the wall thereof, an hundred and forty and four cubits, according to the measure of a man, that is, of the angel.

¹⁸ And the building of the wall of it was of jasper: and the city was pure gold, like unto clear glass.

¹⁹ And the foundations of the wall of the city were garnished with all manner of precious stones. The first foundation was jasper; the second, sapphire; the third, a chalcedony; the fourth, an emerald;

²⁰ The fifth, sardonyx; the sixth, sardius; the seventh, chrysolyte; the eighth, beryl; the ninth, a topaz; the tenth, a chrysoprasus; the eleventh, a jacinth; the twelfth, an amethyst.

²¹ And the twelve gates were twelve pearls: every several gate was of one pearl: and the street of the city was pure gold, as it were transparent glass.

²² And I saw no temple therein: for the Lord God Almighty and the Lamb are the temple of it.

²³ And the city had no need of the sun, neither of the moon, to shine in it: for the glory of God did lighten it, and the Lamb is the light thereof.

²⁴ And the nations of them which are saved shall walk in the light of it: and the kings of the earth do bring their glory and honour into it.

²⁵ And the gates of it shall not be shut at all by day: for there shall be no night there.

²⁶ And they shall bring the glory and honour of the nations into it.

²⁷ And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb’s book of life.