Revelation 5

Which worship songs are based on Revelation 5?

Is He Worthy - Live — Shane & Shane (2026) Revelation 5:1-12
The song closely reproduces Revelation 5’s sealed scroll, the uniquely worthy Lion of Judah and Root of David, the slain Lamb, the multinational people ransomed into a kingdom of priests, and the heavenly acclamation of blessing, honor, and glory.
Lamb (live) — Elevation Worship (2022) Revelation 5:1-12
The combination of crowns surrendered before the throne and the Lamb acclaimed as worthy draws unmistakably from Revelation's heavenly worship scene.
You’re Good (To Him Who Sits On The Throne) - Live — Maranda Curtis (2024) Revelation 5:1-13
The song closely follows John's throne-room vision: God is enthroned, the Lamb alone is worthy to open the sealed scroll, heavenly beings proclaim divine holiness, and every creature offers blessing, honor, glory, and power.
Open The Scroll (Only You Are Worthy) [Live] — UPPERROOM & Elyssa Figueroa & Raffi Greco (2025) Revelation 5:1-13
The song closely follows the vision of the slain Lamb as the only one worthy to open the sealed scroll, culminating in the heavenly attribution of blessing, honor, glory, and power.
Worthy — ReFRESH Worship & Naomi Raine & Nicole Binion (2025) Revelation 5:2-5
The song references the worthiness to open the scroll, directly alluding to the scene in Revelation where no one is found worthy except the Lamb.
Is He Worthy? — CeCe Winans (2024) Revelation 5:2-12
The central questions about one who can open the sealed scroll, followed by the titles Lion of Judah, Root of David, and sacrificial Lamb, closely reproduce John’s throne-room vision. The redeemed people from every tribe and nation becoming a kingdom of priests, along with the acclaim of worthiness, blessing, honor, and glory, also comes directly from this passage.
1,000 Names — Phil Wickham (2021) Revelation 5:5-6
The juxtaposition of Judah's conquering lion with the sacrificial lamb draws directly from John's throne-room vision, where both images identify Jesus.
Blood — American Arson (2023) Revelation 5:5
The capitalized Lion presented alongside the coming King evokes Revelation's title for Christ as the Lion of the tribe of Judah.
Jesus Be Praised — Brandon Lake (2023) Revelation 5:5-10
The bridge identifies Jesus through Revelation’s paired images of the conquering Lion of Judah and the slain yet victorious Lamb. Its mention of his death and triumph further reflects the passage’s portrayal of the Lamb overcoming through sacrificial death.
Lion Instrumental (live) — Brandon Lake (2024) Revelation 5:5
The repeated designation of Christ as the lion from Judah directly invokes Revelation’s image of Jesus as the victorious Davidic ruler who is worthy to open the scroll.
There'll Come A Day — Brian Free & Assurance (2023) Revelation 5:5-6
The song combines Revelation’s titles for Christ as the Lion from Judah and the slain Lamb, presenting his royal victory as accomplished through sacrificial death.
LION — Elevation Worship (2022) Revelation 5:5-9
The song combines the Lion from Judah, the sacrificial Lamb, and Christ’s unique worthiness to open the sealed scroll. This cluster of details unmistakably follows John’s throne-room vision.
Easy (feat. Jonsal Barrientes) — Elevation Worship & Jonsal Barrientes (2024) Revelation 5:5
The Lion of Judah is the messianic title applied to Christ in John's heavenly throne vision.
I Believe — Evan Craft (2023) Revelation 5:5-6
The victorious Lamb combines Revelation’s slain Lamb imagery with the announcement that he has conquered.
Gilead — Rita Springer (2024) Revelation 5:5-6
The healer is identified through Revelation’s paired images of Christ as the conquering Lion and the slain Lamb. The reference combines royal power with sacrificial suffering.
You Are I Am — Sanctus Real (2025) Revelation 5:5-6
The bridge joins Revelation's images of Jesus as the conquering Lion from Judah and the sacrificial Lamb. Their deliberate pairing points specifically to John's throne-room vision.
Marvelous — Mitch Wong (2025) Revelation 5:5
The reference to the 'Lion of Judah' in the song connects to Revelation 5:5, where Jesus is depicted as the conquering Lion, symbolizing His victory over sin and death.
Leão de Judá — Julliany Souza (2025) Revelation 5:5
Jesus is identified by the distinctive apocalyptic title belonging to the victorious descendant of Judah and David. The song contrasts his genuine authority with Satan’s imitation of a lion.
Jesus Is Risen — Church of the City & Ileia Sharaé (2022) Revelation 5:5-6
The paired titles of Lion and Lamb draw on Revelation's vision of the conquering Lion of Judah appearing as the sacrificial Lamb. The song uses this paradox to portray Christ's victory through His death.
I See The Lord (Live) — Red Rocks Worship & Kendra Benay (2025) Revelation 5:5
The song refers to Jesus as 'the Lamb who was slain,' echoing the description of Christ in Revelation as the sacrificial Lamb, emphasizing His role in redemption.
Marvelous — Circuit Rider Music, Lindy Cofer & Ethan Mizell (2025) Revelation 5:5
The phrase 'Lion of Judah' used in the song is a direct reference to Jesus as the conquering figure in Revelation 5:5, symbolizing His victory and strength.
Lord and Friend — CeCe Winans (2024) Revelation 5:5-6
The chorus combines Revelation 5’s contrasting images of Jesus as Judah’s victorious royal figure and the sacrificial figure standing before the throne.
Greatness (Live From Passion 2026) — Passion & Brooke Ligertwood (2026) Revelation 5:5-6
The description of the eternal One together with the victorious Lamb at the throne unmistakably draws on Revelation's heavenly worship scene. It combines the divine title spanning all time with the vision of the slain yet triumphant Lamb receiving universal praise.
That's who I praise (from the studio) — Benjamin William Hastings (2025) Revelation 5:5-12
The paired titles for Christ as Judah’s conquering lion and the sacrificial lamb, together with the declaration of his worthiness, closely reproduce the imagery and worship of Revelation 5.
Ngonyama (Live) — Dumi Mkokstad (2020) Revelation 5:5
The repeated address to Christ as the heavenly Lion invokes Revelation’s royal image of Jesus as the conquering Lion of the tribe of Judah. The song develops that image through sustained acclamation of the Lion as sovereign King.
In A Little While — CeCe Winans (2024) Revelation 5:5-6
The movement from Jesus as a sacrificial lamb to Jesus as a royal lion draws on Revelation’s paired images of the Lamb and the Lion of Judah.
God In Carolina — Sam Purpose (2024) Revelation 5:6
The song identifies Christ as the sacrificial Lamb whose death and blood bring redemption and transformation, closely reflecting Revelation’s vision of the slain Lamb who purchases people for God.
Crowns Down - Live — Josh Baldwin (2024) Revelation 5:6-13
The image of the enthroned Lamb receiving an enduring song from the heavenly assembly directly evokes Revelation’s vision of universal worship offered to the worthy Lamb.
The Worthy One - Live — New Life Worship, Lauren Smith (2024) Revelation 5:6-12
Identifying Jesus simultaneously as the Lamb and the one worthy to receive worship unmistakably evokes Revelation's heavenly vision of the slain Lamb acclaimed as worthy.
Don't Go! — Aklesso & Wxlf (2025) Revelation 5:6
The song references 'the lamb who raised on the third day,' which directly alludes to the imagery of Jesus as the Lamb of God in Revelation, particularly in the context of His resurrection.
No One Like The Lord (We Crown You) - Live — Circuit Rider Music & Eniola Abioye & Black Voices Movement (2024) Revelation 5:6-14
The song closely follows John's vision of the slain Lamb receiving worship, with the elders and living creatures honoring him before the heavenly throne.
Rise with the Sun — CityAlight (2025) Revelation 5:9-10
The slain Lamb receiving praise from redeemed people of many nations and languages unmistakably reflects Revelation’s vision of Christ purchasing a worldwide people who will reign with him.
Hear the Hallelujahs Roar - Live — CityAlight (2025) Revelation 5:9-12
The multinational chorus and its declaration of Christ's worthiness closely follow the throne-room praise offered to the slain Lamb by people from every nation and language.
Hymn Of Heaven - Live — Brian Johnson & Bethel Music & Zahriya Zachary (2021) Revelation 5:9-13
The intergenerational heavenly assembly acclaiming the slain Lamb and his everlasting rule unmistakably reflects Revelation's throne-room worship.
I Was Made To Glorify Your Name — Maverick City Music & Dante Bowe & Grace Idowu (2026) Revelation 5:9-13
The bridge evokes Revelation’s heavenly worship scene, where a new song is offered to Jesus as the worthy recipient of universal praise and glory.
Yes I Am — Christian Paul (2023) Revelation 5:9
The declaration of having been purchased through Christ’s blood closely parallels the heavenly song celebrating the Lamb’s sacrificial redemption of people for God.
He Who Is To Come - Live From Passion 2025 — Kristian Stanfill & Passion & Brooke Ligertwood (2025) Revelation 5:9-12
The declaration that the slain Lamb alone is worthy, followed by a list of glory, honor, wealth, wisdom, strength, and power, closely follows the heavenly worship of the Lamb.
You're Good (To Him Who Sits On The Throne) — Maranda Curtis (2024) Revelation 5:9
The song closely adopts Revelation’s heavenly worship scene: God is enthroned, the Lamb is uniquely worthy to open the sealed scroll, creation joins in praise, and blessing, honor, glory, and power are ascribed eternally to God and the Lamb.
I Lay It Down — Tasha Layton (2023) Revelation 5:9
The song presents Christ’s blood as the price by which the believer was purchased, closely paralleling the heavenly song of redemption through the Lamb’s blood.
Sing The Name (Live) — The Belonging Co & Henry Seeley (2023) Revelation 5:9-12
The designation of Jesus as the worthy Lamb reflects Revelation’s heavenly worship scene, where the slain Lamb is declared worthy to receive honor and praise.
He Who Is To Come (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 5:9-12
The third verse closely follows the heavenly worship of the slain Lamb, including the specific sequence of worthiness, wealth, wisdom, power, honor, glory, and praise.
O Holy Night/Holy Forever — Bethel Music (2025) Revelation 5:11-13
The ceaseless acclamation of God’s holiness by angels and all creation combines the heavenly worship scenes of Revelation 4 and 5.
Jesus Shall Reign — I.D.O.4. (2021) Revelation 5:11-14
God’s people bowing and ascribing honor, power, and glory evokes Revelation’s throne-room scene, where heavenly and earthly worshipers offer these attributes to God and the Lamb.
That's My King — CeCe Winans (2024) Revelation 5:11-13
The combined imagery of angels, heaven and earth offering universal praise, along with declarations of worthiness, glory, and honor, closely reflects the cosmic worship surrounding God's throne in Revelation 5.
Amen Of Heaven (Live) — VIVE Worship (2024) Revelation 5:11-12
The repeated acclamation of the Lamb's worthiness directly echoes the heavenly multitude worshiping the slain Lamb in John's throne-room vision.
Earth And Heaven Roar - Live — Bryan McCleery (2024) Revelation 5:11-13
The united worship of angels, saints, heaven, and earth, together with the declaration of divine worthiness, honor, and power, closely follows John's vision of universal worship before the throne.
Ogo — Dunsin Oyekan & THEOPHILUS SUNDAY (2024) Revelation 5:11-13
The song’s continual ascription of glory and praise to the Lamb closely reflects the heavenly worship scene in which all creation honors the slain Lamb eternally.
Alleluia (All About Jesus) - Live — Planetshakers (2025) Revelation 5:11-14
The combined imagery of angels bowing, the whole created order praising Jesus, eternal worship, and a concluding amen closely reflects Revelation’s heavenly worship scenes around the throne and the Lamb.
My Savior's Love (What Tongue Could Tell) - Live — Keith & Kristyn Getty & Matt Papa & Sing! (2020) Revelation 5:11-12
The combination of innumerable angels offering praise and proclaiming the sacrificial Lamb worthy closely evokes the heavenly worship scene surrounding Christ in Revelation 5.
Holy Forever - Spontaneous — Housefires (2024) Revelation 5:12
The closing worship language combines the heavenly creatures’ praise of the holy Lord God Almighty with the throne-room declaration that the Lamb is worthy.
Another Like You (Live) — Bethel Music & David Funk (2025) Revelation 5:12
The song includes a direct reference to the phrase 'Worthy is the Lamb,' which is a quotation from Revelation 5:12, emphasizing the worthiness of Christ in worship.
Another Like You - Live At Church — Bethel Music & David Funk (2025) Revelation 5:12
The song explicitly refers to Jesus as 'Worthy is the Lamb,' which directly quotes the proclamation of worthiness found in Revelation 5:12, emphasizing His sacrificial role and divine authority.
Agnus Dei (live) — Brandon Lake (2024) Revelation 5:12
The repeated acclamation of the Lamb’s worthiness directly echoes the heavenly worship offered to the slain Lamb.
Who You Are to Me — Chris Tomlin (2020) Revelation 5:12
The bridge closely restates Revelation's heavenly proclamation that the sacrificial Lamb is worthy, identifying that Lamb with Jesus.
So Worthy - Live — Gateway Worship (2023) Revelation 5:12-13
The declaration that Jesus is worthy to receive glory and honor closely reflects the heavenly worship of the Lamb in Revelation. The song recasts that doxology as the congregation’s direct response of worship and devotion.
Christmas Worship Medley — Israel & New Breed (2023) Revelation 5:12-13
The medley closely reproduces the heavenly worship of Revelation, including the threefold acclamation of God’s holiness and the praise offered to the slain Lamb as worthy of glory and honor.
Holy Hands - Live — Paul McClure & Hannah McClure & Bethel Music (2025) Revelation 5:12
The song references the concept of 'the Lamb once slain,' which directly alludes to the imagery found in Revelation where the Lamb is worshipped in Heaven, emphasizing His worthiness and sacrifice.
No One Like The Lord - Live At Church — Bethel Music, Hannah Waters (2025) Revelation 5:12
The phrase 'Worthy is the Lamb' directly quotes Revelation 5:12, which proclaims the worthiness of Jesus as the sacrificial Lamb.
Worthy of It All / I Exalt Thee — Legacy Worship, Mariah Bernard (2025) Revelation 5:12
The declaration of God being worthy of glory and honor reflects the worship described in Revelation where the multitude proclaims the worthiness of the Lamb.
Glory To The One - Live — New Life Worship, Lauren Smith, Dee Wilson (2024) Revelation 5:12-13
The repeated attribution of glory, honor, and power to Jesus forever closely reflects the heavenly doxology offered to the Lamb in Revelation.
Iba — Nathaniel Bassey & Dunsin Oyekan & Dasola Akinbule (2023) Revelation 5:12
The worship section reproduces the heavenly acclamation of the slain Lamb and the sevenfold list of honors he is worthy to receive.
Holy Forever — Seventh Day Slumber (2026) Revelation 5:12
The song evokes imagery of angels crying 'Holy' and creation worshiping, which aligns with the depiction of heavenly beings praising the Lamb in Revelation.
JESUS — Matt Crocker (2025) Revelation 5:12
The phrase 'Lamb that was slain' directly references the imagery of Jesus as the sacrificial Lamb found in Revelation, which emphasizes His role in redemption.
WORTHY — Zauntee (2025) Revelation 5:12
The song explicitly references the worthiness of Jesus, echoing the proclamation found in Revelation where Jesus is declared worthy to receive praise and honor.
On And On — John Allan (2025) Revelation 5:12
The phrase 'Behold the Lamb' directly references the imagery of Christ as the Lamb of God, which is prominent in Revelation 5:12 where the Lamb is worshipped in heaven.
Praise to the Most High — Matt Redman & Joe L Barnes (2025) Revelation 5:12
The phrase 'Worthy is the Lamb who was slain' directly quotes the language used in Revelation, highlighting the sacrificial nature of Christ and His worthiness.
Holy Again and Again (Reprise) — Aaron Williams & Leonard Ray Jarman (2025) Revelation 5:12
The repeated acclamation of the Lamb’s worthiness directly echoes the worship offered to the slain Lamb in John’s heavenly vision.
Let The Alabaster Break — Lizzie Morgan (2025) Revelation 5:12-13
The declarations of divine worthiness, glory, blessing, and honor across heaven and earth closely reflect the universal worship offered to the Lamb in Revelation's throne-room vision.
Agnus Dei (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 5:12
The chorus combines the living creatures’ threefold declaration of God’s holiness with the heavenly worship declaring the slain Lamb worthy.
Mary, Did You Know? — CCV Music (2023) Revelation 5:12
The outro directly adopts Revelation's heavenly acclamation of the sacrificial Lamb, while the preceding verse likewise identifies Jesus through lamb imagery.
2010 — Ty Brasel (2025) Revelation 5:13
The chorus uses Revelation’s distinctive doxological grouping of blessing, glory, and power in worship directed toward God. Its wording closely resembles the praise offered to the One seated on the throne.
Upper Room Anthem — Dunsin Oyekan (2024) Revelation 5:13
The bridge directs everlasting praise jointly toward the One seated on the throne and the Lamb, closely following the heavenly worship formula in Revelation 5.

Revelation 5 (King James Version)

¹ And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals.

² And I saw a strong angel proclaiming with a loud voice, Who is worthy to open the book, and to loose the seals thereof?

³ And no man in heaven, nor in earth, neither under the earth, was able to open the book, neither to look thereon.

⁴ And I wept much, because no man was found worthy to open and to read the book, neither to look thereon.

⁵ And one of the elders saith unto me, Weep not: behold, the Lion of the tribe of Juda, the Root of David, hath prevailed to open the book, and to loose the seven seals thereof.

⁶ And I beheld, and, lo, in the midst of the throne and of the four beasts, and in the midst of the elders, stood a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth.

⁷ And he came and took the book out of the right hand of him that sat upon the throne.

⁸ And when he had taken the book, the four beasts and four and twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.

⁹ And they sung a new song, saying, Thou art worthy to take the book, and to open the seals thereof: for thou wast slain, and hast redeemed us to God by thy blood out of every kindred, and tongue, and people, and nation;

¹⁰ And hast made us unto our God kings and priests: and we shall reign on the earth.

¹¹ And I beheld, and I heard the voice of many angels round about the throne and the beasts and the elders: and the number of them was ten thousand times ten thousand, and thousands of thousands;

¹² Saying with a loud voice, Worthy is the Lamb that was slain to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing.

¹³ And every creature which is in heaven, and on the earth, and under the earth, and such as are in the sea, and all that are in them, heard I saying, Blessing, and honour, and glory, and power, be unto him that sitteth upon the throne, and unto the Lamb for ever and ever.

¹⁴ And the four beasts said, Amen. And the four and twenty elders fell down and worshipped him that liveth for ever and ever.