Philippians 2

Which worship songs are based on Philippians 2?

All to Honour Jesus - Live — CityAlight (2025) Philippians 2:5-11
The prayer to imitate Christ’s humble service, together with the description of Jesus as both servant and king and the movement from the cross to his glory, closely follows Paul’s portrait of Christ’s humiliation and exaltation.
The Theme of My Song — Andrew Peterson (2019) Philippians 2:6-8
The chorus closely follows Paul’s description of the divine Christ relinquishing status, taking human form, humbling himself, and submitting to death.
Real Jesus — Evan Craft (2023) Philippians 2:6-8
The description of a heavenly King relinquishing divine privilege, assuming human existence, and accepting the cross closely follows Paul's account of Christ's incarnation and self-emptying.
How Great a King — Bethel Music (2019) Philippians 2:6-8
The song presents Christ as relinquishing heavenly status and giving himself over to death for others, closely following Paul's description of Christ's voluntary descent from divine glory to death.
The Glory Of God — ECCOS & TAYA (2026) Philippians 2:6-11
The opening and recurring exaltation sections closely follow Paul's Christ hymn: Christ shares God's equality, assumes a servant's lowliness, obeys through crucifixion, and is then exalted so that all bow and confess his lordship.
Obediência - Ao Vivo — fhop music (2025) Philippians 2:6-8
The opening verse closely follows Paul's description of Christ relinquishing divine privilege, humbling himself, and remaining obedient through death on a cross.
Even Death On A Cross! — Brooke Ligertwood & Abbie Gamboa (2026) Philippians 2:6-11
The entire song sets Paul’s Christ hymn almost verbatim to music, tracing Christ’s divine status, incarnation, servanthood, obedience through crucifixion, and subsequent exaltation as universal Lord.
How Great Is Your Name (Live From Passion 2024) — Passion & Rachel Halbach (2024) Philippians 2:6-8
The depiction of Christ surrendering heavenly glory, assuming the role of a servant, and submitting to death on a cross closely follows Paul's account of Christ's self-humiliation.
I've Witnessed It (Single Version) — Passion & Melodie Malone (2023) Philippians 2:6-8
The song describes Christ relinquishing heavenly status, humbling himself, and willingly dying on a cross for others, closely following Paul's account of Christ's self-emptying and obedience.
Majestade - Ao Vivo — fhop music (2025) Philippians 2:6-9
The song closely follows Paul's account of Christ relinquishing divine privilege, assuming human form and servanthood, humbling himself, and subsequently being exalted by God above every other name.
Jesus Over Everything — The Belonging Co & Andrew Holt (2024) Philippians 2:6-11
The song follows Paul’s movement from Christ’s divine glory through incarnation and death on a cross to universal supremacy. Its declaration of Christ’s lordship and the unrivaled authority of his name closely reflects the passage’s climax.
Come Adore The Humble King - Live — Keith & Kristyn Getty & Matt Boswell & Matt Papa & Sing! (2019) Philippians 2:6-11
Christ's voluntary descent from heavenly privilege, his humility, universal adoration, and his supreme name closely follow Paul's account of Christ's self-emptying and exaltation.
Ele É - Ao Vivo — MORADA (2020) Philippians 2:6-11
The contrast between divine status and voluntary servanthood, followed by exaltation above every name and the universal bowing and confession, unmistakably follows Paul’s Christ hymn.
Cruz em Ti - ao vivo — Isadora Pompeo (2024) Philippians 2:6-8
The description of Christ relinquishing heavenly glory, taking human likeness, and accepting humiliating death closely follows Paul's account of Christ's self-emptying and obedience to death on a cross.
Jesus Over Everything - Live — The Belonging Co & Andrew Holt (2021) Philippians 2:6-11
The song follows Paul’s movement from Christ’s preexistent glory through incarnation and death to exaltation. Its emphasis on the supreme name, universal submission, and the confession of Christ’s lordship unmistakably reflects this passage.
Que O Mundo Conheça — Aline Barros (2024) Philippians 2:6-7
The song describes Christ relinquishing His heavenly status and assuming the position of a servant, closely following Paul's account of Christ's self-emptying and servanthood.
Que O Mundo Conheça - Playback — Aline Barros (2024) Philippians 2:6-7
The description of Jesus relinquishing divine status and assuming the role of a servant closely follows Paul’s account of Christ’s self-emptying and incarnation.
How Great Is Your Love — Phil Wickham (2018) Philippians 2:6-8
The pre-chorus follows Paul’s account of Christ humbling himself from divine glory to human life and obediently surrendering himself to death on a cross.
With Us Now — Covenant Worship (2021) Philippians 2:6-8
The bridge closely reproduces the passage’s language about Christ relinquishing status, assuming a servant’s form, and humbling himself in self-sacrifice.
Eyes of Love — Trinity (NL) (2018) Philippians 2:6-8
The outro portrays Jesus as relinquishing divine glory in order to share human existence. This strongly parallels Paul's description of Christ not exploiting divine status but emptying himself and taking human form.
Christ Exalted is Our Song - Live — Sovereign Grace Music (2019) Philippians 2:6-11
Christ’s descent from heavenly glory into humble human suffering, followed by his exaltation above every other name, closely follows Paul’s account of Christ’s humiliation and exaltation.
All About You — Hollyn & Tauren Wells (2017) Philippians 2:6-11
The bridge follows Paul’s account of Christ descending from divine glory, assuming human form, submitting to death on a cross, and reigning in exaltation.
See How He Loves Us - Live — Sovereign Grace Music (2019) Philippians 2:6-8
Christ’s movement from heavenly glory to self-emptying, human lowliness, and death closely follows Paul’s account of the Son relinquishing divine privilege and humbling himself.
More Like Jesus (Live) — Passion (2018) Philippians 2:6-8
Christ's relinquishment of divine privilege, assumption of a servant's position, and willing death closely follow Paul's description of Jesus' self-emptying and obedience.
Never Alone — 808 BEEZY (2018) Philippians 2:6-8
The description of Christ sharing divine equality, descending into human humility, and proceeding to the cross closely follows Paul's account of Christ's self-emptying and obedient death.
The King Is Here - Live — New Wine Worship & Chris Lawson Jones (2018) Philippians 2:6-11
The song follows Paul’s movement from Christ relinquishing divine privilege and accepting death on a cross to his exaltation and receipt of the supreme name. Its description of Jesus’ name closely reproduces the distinctive wording of verse 9.
THE NAME ABOVE ALL NAMES — Mitch Wong (2025) Philippians 2:7-8
The song reflects the concept of God becoming man and being humble, paralleling the passage where Jesus takes on the form of a servant and humbles Himself to the point of death.
One And Only (with Cody Carnes) — TAYA & Cody Carnes (2026) Philippians 2:8-9
The movement from Christ's endurance of death to exaltation and supreme naming follows Philippians 2, including its distinctive declaration of the highest name.
No Me Without You — Dunsin Oyekan (2024) Philippians 2:8-11
The spoken section closely reproduces Paul's sequence of Christ's obedient death, divine exaltation, supreme name, and the universal bowing of every knee. The song's movement from cross to throne follows the same passage.
For The Cause — Keith & Kristyn Getty (2020) Philippians 2:8-9
The chorus closely reproduces Paul’s description of Jesus receiving supreme exaltation after his obedient death. The song’s movement from the cross to Christ’s unrivaled name also follows the passage’s sequence.
The Keys to the Kingdom — Neal Morse (2019) Philippians 2:8-11
The declaration that all will kneel before the Son, joined to his prior suffering and death, follows Paul’s sequence of Christ’s humiliation, exaltation, and universal acknowledgment.
All Around the World — Elevation Worship (2008) Philippians 2:9-11
The song presents Jesus’ name as supreme over every other name and envisions widespread praise directed to him, closely reflecting Paul’s declaration of Christ’s exaltation and universal acknowledgment.
What An Awesome God (with Michael W. Smith) [Song Session] — Phil Wickham (2026) Philippians 2:9-11
The linked declarations of God's supreme name and the universal bending of knees unmistakably echo Paul's description of every creature ultimately acknowledging Jesus' lordship.
Jesus Be The Name (feat. Steven Furtick) — Elevation Worship (2026) Philippians 2:9-11
Its presentation of Jesus as possessing the supreme name and deserving universal glory closely reflects Paul’s account of Christ’s exaltation.
Call God — Elevation Worship (2026) Philippians 2:9-11
The spoken identification of Jesus' name as supreme directly invokes Paul's declaration that God exalted Jesus and bestowed on Him the name above every name.
Jesus Be The Name (feat. Tiffany Hudson) — Elevation Worship (2025) Philippians 2:9-11
Describing Jesus’ name as exalted above every other name closely paraphrases Paul’s presentation of the risen Christ’s universal supremacy.
Heaven's Gonna Lift You Up — ApologetiX (2022) Philippians 2:9-11
The song directly cites Philippians 2:10 and connects present kneeling before Jesus with the passage's promise that every knee will bow before the exalted Christ.
Christmas Worship Medley — Israel & New Breed (2023) Philippians 2:9-11
The declaration that every knee will bow at Jesus’ exalted name directly invokes Paul’s description of universal submission to Christ.
Sacred Ground — Avalon (2020) Philippians 2:9-11
The chorus joins Christ's supreme name with the future submission of every knee, closely following Paul's description of Jesus' universal exaltation.
One - Live At Church — Bethel Music, Brooke Ligertwood (2025) Philippians 2:9
The song emphasizes the singularity and supremacy of Jesus' name, echoing the biblical assertion that God has exalted Jesus and given Him a name above every name.
One (Live) — Bethel Music, Brian Johnson (2025) Philippians 2:9
The song references the supremacy of Jesus as 'One Name over all names,' which aligns with Philippians 2:9, where God exalts Jesus and gives Him the name above every name.
Only Jesus — Hillsong Worship (2026) Philippians 2:9
The song references Jesus as 'the Name above all names,' which directly echoes the biblical declaration of Jesus' exaltation in Philippians 2:9, emphasizing His supreme authority.
Unashamed — Matthew West (2024) Philippians 2:9-11
The song invokes Jesus' exalted name and closely reproduces Paul's prediction that every knee will bow and every tongue will confess.
My Refuge — Bryan & Katie Torwalt (2026) Philippians 2:9-11
The post-chorus applies Paul’s exaltation language directly to Jesus, identifying him as bearing the supreme name before which every competing authority is subordinated.
Way Maker - Live — Leeland (2020) Philippians 2:9-11
The spontaneous section presents Jesus’ name as surpassing every other name, closely reflecting Paul’s declaration that God exalted Jesus and bestowed on him the supreme name.
One And Only — TAYA (2025) Philippians 2:9
The phrase 'Name above every name' echoes Philippians 2:9, which speaks of God exalting Jesus and giving Him the name that is above all names.
What He's Done — Passion (2022) Philippians 2:9-11
The description of Jesus as possessing the supreme name closely follows Paul's account of God exalting Christ above every name, before whom all creation will bow and confess his lordship.
You Are — Team Eternity Ghana & Ps. Isaiah Fosu-Kwakye Jnr (2024) Philippians 2:9-11
The combined language of Jesus being exalted, worshippers bowing before him, elevating his name, and confessing his lordship closely reflects Paul’s description of Jesus’ universal exaltation.
Highest One (Live) — Thrive Worship & Bryan & Katie Torwalt (2024) Philippians 2:9-11
The song presents Jesus as possessing the supreme name above every other name, closely reflecting Paul's description of Christ's exaltation.
Sweet Jesus — Crowder (2021) Philippians 2:9
The repeated description of Jesus’ name as surpassing every other name closely paraphrases Paul’s declaration of Christ’s supreme exaltation.
The Name - Live — Planetshakers (2025) Philippians 2:9-11
The song directly invokes Paul's declaration that God exalted Jesus above every name and that every knee and tongue will ultimately acknowledge his lordship.
Just Like Magic — Mike Teezy (2024) Philippians 2:9-11
The description of Jesus' uniquely exalted name echoes Paul's declaration that God bestowed on Christ the name above every other name.
Hallelujah Here Below — Elevation Worship (2018) Philippians 2:9-11
The anticipated day when every knee submits before Jesus' name directly paraphrases Paul's declaration of universal acknowledgment of Christ's lordship.
Build My Life — Seventh Day Slumber (2026) Philippians 2:9
The song references Jesus as 'the Name above every other name,' which directly quotes Philippians 2:9, emphasizing His exalted status.
What A Worthy Name — Passion & Chidima (2026) Philippians 2:9-11
The bridge closely follows Paul's vision of universal submission and confession at Jesus' exalted name.
No One But Jesus (Live) — Lakewood Music & Ramiro Garcia (2024) Philippians 2:9-11
The song applies to Jesus Paul’s declaration that God exalted him and bestowed on him the supreme name before which all creation will bow.
Here’s to the One — Hillsong UNITED (2019) Philippians 2:9-11
The repeated exaltation of Jesus’ name over everything closely reflects Paul’s declaration that God bestowed on Jesus the supreme name before which all creation will bow.
Waiting (spontaneous) — Hillsong Worship (2021) Philippians 2:9-11
The identification of Jesus as possessing the supreme name, together with the congregation's vocal acknowledgment of his lordship and kingship, closely reflects Paul's description of Jesus receiving the name above every name and being universally confessed as Lord.
I Cry Jesus — Ryan Stevenson (2022) Philippians 2:9-11
The song applies Paul’s exaltation language to Jesus, presenting his name as supreme over every competing power and object of devotion.
You Must Break — Tasha Cobbs Leonard (2022) Philippians 2:9-11
The demand that personified hostile powers kneel before the arriving King evokes Paul's vision of every power bowing under Jesus' supreme authority.
I Trust In Jesus — Celtic Worship (2021) Philippians 2:9-11
The song closely follows Paul’s description of Jesus receiving the supreme name, universal submission before him, and every tongue confessing that he is Lord.
There Is a Name — Bethel Music (2019) Philippians 2:9-11
The bridge combines the supremacy of Jesus’ name with the eventual submission and recognition of all things, closely following Paul’s description of the exalted Christ.
Reaching for You — Chris Tomlin (2020) Philippians 2:9-11
The song identifies Jesus as bearing the supreme name, closely reflecting Paul’s declaration that God exalted Christ and bestowed on him the name above every name.
Worthy of My Song — Phil Wickham (2022) Philippians 2:9-11
The declaration that Jesus is exalted above every other name closely paraphrases Paul’s description of God bestowing the supreme name upon the risen and exalted Christ.
Hay Un Gran Rey (There Is A King) — Elevation Worship, Elevation Español (2020) Philippians 2:9-11
The confession that Jesus bears the supreme name and reigns above every ruler closely paraphrases Paul's declaration of Christ's exaltation and universal lordship.
Be Lifted High — Bayside Worship (2021) Philippians 2:9-11
The declaration of Jesus’ unrivaled name, together with the image of hostile powers bowing before him, closely reflects Paul’s account of Jesus receiving the supreme name and universal submission.
Greater — Highlands Worship (2021) Philippians 2:9-11
The linked themes of Jesus being exalted, worshipers bowing, honor given to his name, and his universal lordship closely reflect Paul’s description of the exalted Christ before whom every knee bows and whose lordship brings glory to God.
Upon Him - Live — Matt Redman (2020) Philippians 2:9-11
The bridge identifies Jesus as possessing the supreme name and anticipates universal kneeling and confession before him, directly following Paul’s description of Christ’s exaltation.
You Reign - Live — Mack Brock (2020) Philippians 2:9-11
The bridge connects the name of Jesus with opposing powers bowing, closely adapting Paul’s declaration that every knee will bow at Jesus’ exalted name.
We Need a Miracle — Charity Gayle (2021) Philippians 2:9-11
The outro exalts Jesus as possessing supreme status over every other name, reflecting Paul’s description of Christ’s divinely bestowed exaltation.
Yesu - Live — Keith & Kristyn Getty & African Children's Choir & Sing! (2021) Philippians 2:9-11
The song connects the supreme power of Jesus’ name with the universal bending of every knee, closely following Paul’s description of Jesus’ exaltation and universal acknowledgment.
None — Elevation Worship (2017) Philippians 2:9-11
The declaration that Jesus possesses supreme status above every other name directly echoes Paul’s account of God exalting Christ and granting Him the preeminent name.
Be Crowned — Jesus Culture (2018) Philippians 2:9-11
The bridge's exclusive exaltation of one name, together with the command that darkness submit, recalls the exalted name of Jesus before which every realm must bow.
10,000 Reasons / What a Beautiful Name — Caleb and Kelsey (2018) Philippians 2:9-11
The declaration that Jesus possesses the supreme name closely reflects Paul’s description of God exalting Christ and granting him the name surpassing every other name.
You Reign - Studio Version — Mack Brock (2020) Philippians 2:9-11
The bridge associates the name of Jesus with hostile powers bowing before him, closely invoking Paul’s vision of every realm acknowledging Christ’s supreme lordship at his name.
Isn't He (This Jesus) — The Belonging Co & Natalie Grant (2018) Philippians 2:9-11
The bridge directly invokes Paul’s description of Jesus receiving the supreme name and universal honor. Its surrounding emphasis on exclusive adoration and glorification also reflects the passage’s vision of every creature acknowledging Christ’s lordship.
His Glory and My Good - Live — CityAlight (2024) Philippians 2:9-11
The declaration of Christ's uniquely exalted name closely paraphrases Paul's description of God bestowing on Jesus the name above every name.
Mighty Cross — Elevation Worship (2017) Philippians 2:9-11
The description of universal submission at Jesus' name closely paraphrases Paul's declaration that every knee will bow and every tongue acknowledge Jesus Christ as Lord.
Build My Life — Pat Barrett (2018) Philippians 2:9-11
The declaration that Jesus possesses the supreme name closely parallels Paul’s description of God exalting Jesus and giving him the name above every name.
Yes I Will — Vertical Worship (2018) Philippians 2:9-11
The bridge's description of God's supreme name echoes Paul's declaration that Jesus has received the name above every name, before which all creation must ultimately submit.
Sí, Lo Haré — Vertical Worship (2019) Philippians 2:9-11
The bridge invokes the supreme name exalted above every other authority, closely echoing Paul's proclamation of the universal lordship and exaltation of Jesus.
Speak the Name — Koryn Hawthorne (2018) Philippians 2:9-11
The chorus closely echoes Paul's declaration that God exalted Jesus and bestowed on him the name surpassing every other name.
Way Maker — Leeland (2020) Philippians 2:9-11
The spontaneous section closely echoes Paul's declaration that God exalted Jesus and bestowed on him the supreme name, before which every power must ultimately submit.
Worthy — Elevation Worship (2018) Philippians 2:9-11
The bridge presents Jesus as exalted in heaven and possessing supreme authority over every other name, closely paraphrasing Paul's description of Christ's exaltation after His obedient death.
Praises (Be Lifted Up) - Spontaneous — WorshipMob (2021) Philippians 2:9-11
The song repeatedly presents God's name as surpassing every other name and calls for universal honor and exaltation, closely paraphrasing Paul's declaration of Jesus' supreme name and the worship due to him.
For The Cause - Live — Keith & Kristyn Getty (2017) Philippians 2:9
The chorus directly uses Paul’s description of God exalting Jesus and giving him supreme authority following his obedient death.
Praise Your Name - Live — Corey Voss & Madison Street Worship (2019) Philippians 2:9-11
The repeated demand that fear, shame, confusion, and lesser powers bow, followed by the explicit naming and exaltation of Jesus, strongly evokes Paul's declaration that every knee will bow at Jesus' name.
There’s No Other Name — Bethel Music (2017) Philippians 2:9-11
The bridge directly reproduces Paul’s vision of universal submission and confession centered on Jesus, while the song’s emphasis on his unique name reflects the passage’s preceding declaration of his exaltation.
Greater Than — Gateway Worship (2018) Philippians 2:9-11
The declaration that no competing name surpasses God's name closely reflects Paul's description of Jesus receiving the name above every name and universal acknowledgment of his lordship.
There Is a Name — Sean Feucht (2018) Philippians 2:9-11
The bridge closely follows Paul's declaration that Jesus possesses the supreme name and that all creation will ultimately bow and acknowledge His lordship.
Worship — Diamonds to Dust (2017) Philippians 2:9-11
The description of Christ possessing the supreme name, followed by kneeling and confessing him as Lord, closely reflects Paul’s proclamation of Christ’s exaltation and universal lordship.
There Is A Time (Live) — Anna Golden (2021) Philippians 2:9-11
The designation of Jesus as possessing the supreme name closely reproduces Paul's declaration of Christ's exaltation and universal lordship.
Aleluya — Elevation Worship (2026) Philippians 2:10-11
The expectation that every knee will bow is joined to the confession of Jesus as Lord, closely reproducing Paul's description of the universal acknowledgment of Christ.
Aleluya (En La Tierra) [Hallelujah Here Below] — Elevation Worship (2019) Philippians 2:10-11
The expectation that every knee will bow appears alongside the confession that Jesus Christ is Lord, closely reproducing Paul's description of universal submission to Christ.
The Church — Bethel Music (2025) Philippians 2:10-11
The expectation that all people will bow before Christ and openly acknowledge him closely paraphrases Paul’s description of universal submission and confession at Jesus’ exaltation.
COUNT ’EM (REMIX) — Brandon Lake (2024) Philippians 2:10-11
The prediction of universal kneeling before Christ closely paraphrases Paul's declaration that every knee will bow and every tongue acknowledge Jesus as Lord.
Coming Soon — Chris Tomlin (2025) Philippians 2:10-11
The song references the concept that every knee will bow and every tongue confess, which directly aligns with the passage in Philippians that speaks of the universal acknowledgment of Christ's lordship.
I Believe In Jesus — Chris Tomlin (2022) Philippians 2:10-11
The bridge invokes the universal bowing before Jesus and acknowledgment of his lordship described in Paul's hymn about Christ's exaltation.
Hear That Knock — John Pape (2023) Philippians 2:10-11
The declaration that every person will kneel and acknowledge Jesus as Lord closely reproduces Paul’s confession of Christ’s universal lordship.
All Hail King Jesus - Live — Bethel Music & Bethany Wohrle (2021) Philippians 2:10-11
The bridge directly adopts Paul’s universal declaration that every knee will bow before Jesus and every tongue will acknowledge him as Lord.
What An Awesome God — Phil Wickham (2025) Philippians 2:10-11
The lyrics reflect the idea that every knee will bow before God, echoing the passage where it states that at the name of Jesus, every knee should bow, affirming His authority.
Go Tell The World - Live — Celebration Music, Lauren Tyler (2024) Philippians 2:10-11
The chorus directly invokes Paul's declaration that all creation will bow before Jesus and confess his lordship.
Jesus The Only (feat. Davide Mutendji) — Tiffany Hudson & Davide Mutendji (2026) Philippians 2:10-11
The song references the concept that every knee will bow and every tongue confess at the name of Jesus, which directly aligns with Philippians 2:10-11, emphasizing His authority and lordship.
Father, Son, Holy Ghost — Y Shadey (2025) Philippians 2:10-11
The warning that every knee will eventually bow reproduces the passage's declaration of universal submission to Jesus Christ.
Ancient of Days / Open The Eyes of My Heart — CalledOut Music (2025) Philippians 2:10-11
The universal bending of knees and declaration by tongues closely paraphrases Paul’s description of all creation ultimately acknowledging Jesus’ lordship.
King of Glory (Live) — CeCe Winans (2021) Philippians 2:10-11
The opening anticipates universal submission to God’s kingship, closely reflecting Paul’s description of every knee bowing and every tongue acknowledging Jesus Christ as Lord.
Hosanna — Chaotic Resemblance (2022) Philippians 2:10-11
The prediction that believers and unbelievers alike will kneel and acknowledge Christ's lordship closely follows Paul's vision of universal submission and confession.
Hands on Me — Jekalyn Carr & Mike Teezy (2024) Philippians 2:10-11
The declaration that every knee must bow at the divine name closely reproduces Paul's description of universal submission to Jesus.
Proclaim (feat. D'Nar) — Todd Galberth & D'Nar (2025) Philippians 2:10-11
The lyrics reference the idea that every knee shall bow and every tongue proclaim, which directly quotes Philippians 2:10-11 regarding the exaltation of Jesus and the recognition of His authority.
Name Above All Names — Circuit Rider Music & Olivia Stern (2025) Philippians 2:10-11
The song references the idea that every knee will bow and every tongue will confess Jesus as Lord, which directly echoes the passage in Philippians that speaks of the exaltation of Christ and the universal acknowledgment of His lordship.
On And On — John Allan (2025) Philippians 2:10-11
The lyrics 'hands up, heart bowed, eyes on heaven' reflect the call for every knee to bow and every tongue to confess that Jesus Christ is Lord, as stated in Philippians 2:10-11.
Child Of The Wild — 7 Hills Worship & Kaelob Mecum (2025) Philippians 2:10-11
The bridge's vision of universal submission before God echoes Paul's declaration that every knee will bow and every tongue acknowledge divine lordship.
The King Is Coming (Live) — Red Rocks Worship & Tyler Roberts (2025) Philippians 2:10-11
The declaration that every knee will bow reflects the teaching in Philippians 2:10-11 about the universal acknowledgment of Jesus' lordship.
O Vimos Subir — Julliany Souza (2025) Philippians 2:10-11
The universal bending of knees before Jesus closely reproduces Paul's depiction of every creature ultimately acknowledging Christ's lordship.
He Reigns — BRAG WORSHIP & Trip Lee & Jonathan Traylor (2026) Philippians 2:10-11
The song's declaration that 'knees will bow, tongues will sing' echoes the passage that describes every knee bowing and every tongue confessing that Jesus Christ is Lord.
Lord Of My Life - Live — The Belonging Co & Andrew Holt (2023) Philippians 2:10-11
The bridge directly invokes Paul's vision of universal submission to Jesus, with every person bowing and acknowledging his lordship.
End of the World — Kutless (2022) Philippians 2:10-11
The breakdown unmistakably restates the promise that every knee will bow and every person will ultimately acknowledge Jesus, presenting submission as inevitable whether it occurs now or at judgment.
Release the Sound — Tasha Cobbs Leonard (2020) Philippians 2:10-11
The declaration that every knee will bow directly invokes Paul’s description of universal submission to Jesus.
Count ’Em — Brandon Lake (2023) Philippians 2:10-11
The prediction of universal kneeling before Christ closely echoes Paul’s declaration that every knee will bow and every tongue acknowledge Jesus as Lord.
There Is a Power — Rita Springer (2020) Philippians 2:10-11
The interlude directly invokes Paul's vision of universal submission and confession before Jesus, identifying him as the supreme King.
Says The Lord (Live) — The Belonging Co & Andrew Holt (2023) Philippians 2:10-11
The second verse reproduces Paul's vision of universal submission and confession that Jesus Christ is Lord.
Then He Rose — Elevation Worship (2018) Philippians 2:10-11
The prediction that every knee will bow to the reigning Jesus closely paraphrases Paul’s vision of universal acknowledgment of Christ’s lordship.
Love Will Have the Final Word — Jason Crabb (2018) Philippians 2:10-11
The prediction that hate will one day be forced to kneel echoes Paul's declaration that every knee will ultimately bow before Jesus. The song applies that image to hatred as a defeated power rather than directly restating the passage.
Worthy — Lifegate Worship (2021) Philippians 2:10-11
The bridge closely follows Paul's declaration that every knee will bow and every tongue confess the lordship of Jesus.
Turn Your Eyes Reprise - Live — Sovereign Grace Music (2019) Philippians 2:10-11
The universal bending of knees and confession by tongues closely paraphrases Paul's declaration that all creation will acknowledge Jesus Christ as Lord. The song recasts that confession as a unified acclamation of Christ's exclusive glory.
A Billion People — Deitrick Haddon (2017) Philippians 2:10-11
The opening directly invokes Paul's declaration that all creation will bow before Jesus and confess his lordship. This universal acknowledgment also supplies the song's central vision of worldwide confession.
Jesus’ Baptism — Neal Morse (2019) Philippians 2:10-11
The declaration that everyone will kneel before Jesus closely invokes Paul's vision of every knee bowing at Jesus' name.
Turn Your Eyes - Live — Sovereign Grace Music (2019) Philippians 2:10-11
The vision of every knee bowing and every tongue openly glorifying Jesus closely paraphrases Paul's description of universal acknowledgment of Christ's lordship.
All Creatures of Our God and King - Live — Sovereign Grace Music (2017) Philippians 2:10-11
The closing declaration directly invokes Paul’s vision of universal submission to Jesus, in which every knee bows and every tongue acknowledges his lordship.
Psalm 24 (The King Of Glory) — Keith & Kristyn Getty (2016) Philippians 2:10-11
The declaration that every knee will bow and every tongue acknowledge Jesus directly invokes Paul’s description of the universal confession of Christ’s lordship.
Sound of Your Kingdom — Jaci Velasquez (2017) Philippians 2:10-11
The expectation that every tongue will confess God’s name closely parallels Paul’s declaration that every tongue will confess Jesus Christ as Lord.
Hymn of the Ages — Rend Collective (2018) Philippians 2:10-11
The depiction of all history and the created order bending before Jesus, together with the confession of His lordship, closely reflects Paul’s vision of every knee bowing and every tongue acknowledging Jesus Christ as Lord.
Never Gonna Stop Singing — Soul Survivor & Tom Smith (2016) Philippians 2:10-11
The declaration that every knee will bow before the risen Christ closely parallels Paul's vision of universal acknowledgment of Jesus' lordship.
Way Up — Bizzle & Sevin (2018) Philippians 2:11
Sevin’s declaration of Christ’s lordship closely echoes Paul’s climactic confession that Jesus Christ is Lord, presented here as a conviction he would maintain under confinement or threat of death.
Mercy Of God (Live) — The Belonging Co & Mitch Wong (2023) Philippians 2:12
The account of repentance uses Paul’s distinctive expression for approaching one’s salvation with profound reverence and humility.
In the Light — Shane & Shane (2024) Philippians 2:14-15
The desire to shine like heavenly stars closely follows Paul's image of faithful believers shining amid a morally distorted world.
Signs Of Life — David Leonard (2019) Philippians 2:15
The communal image of believers shining as stars amid surrounding darkness closely echoes Paul's description of God's children shining like stars within a dark and corrupt world.
Shine Like Stars — Passion (2022) Philippians 2:15
The song’s central image closely follows Paul’s description of believers radiating like celestial lights amid a dark and morally distorted world.

Philippians 2 (King James Version)

¹ If there be therefore any consolation in Christ, if any comfort of love, if any fellowship of the Spirit, if any bowels and mercies,

² Fulfil ye my joy, that ye be likeminded, having the same love, being of one accord, of one mind.

³ Let nothing be done through strife or vainglory; but in lowliness of mind let each esteem other better than themselves.

⁴ Look not every man on his own things, but every man also on the things of others.

⁵ Let this mind be in you, which was also in Christ Jesus:

⁶ Who, being in the form of God, thought it not robbery to be equal with God:

⁷ But made himself of no reputation, and took upon him the form of a servant, and was made in the likeness of men:

⁸ And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross.

⁹ Wherefore God also hath highly exalted him, and given him a name which is above every name:

¹⁰ That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth;

¹¹ And that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.

¹² Wherefore, my beloved, as ye have always obeyed, not as in my presence only, but now much more in my absence, work out your own salvation with fear and trembling.

¹³ For it is God which worketh in you both to will and to do of his good pleasure.

¹⁴ Do all things without murmurings and disputings:

¹⁵ That ye may be blameless and harmless, the sons of God, without rebuke, in the midst of a crooked and perverse nation, among whom ye shine as lights in the world;

¹⁶ Holding forth the word of life; that I may rejoice in the day of Christ, that I have not run in vain, neither laboured in vain.

¹⁷ Yea, and if I be offered upon the sacrifice and service of your faith, I joy, and rejoice with you all.

¹⁸ For the same cause also do ye joy, and rejoice with me.

¹⁹ But I trust in the Lord Jesus to send Timotheus shortly unto you, that I also may be of good comfort, when I know your state.

²⁰ For I have no man likeminded, who will naturally care for your state.

²¹ For all seek their own, not the things which are Jesus Christ’s.

²² But ye know the proof of him, that, as a son with the father, he hath served with me in the gospel.

²³ Him therefore I hope to send presently, so soon as I shall see how it will go with me.

²⁴ But I trust in the Lord that I also myself shall come shortly.

²⁵ Yet I supposed it necessary to send to you Epaphroditus, my brother, and companion in labour, and fellowsoldier, but your messenger, and he that ministered to my wants.

²⁶ For he longed after you all, and was full of heaviness, because that ye had heard that he had been sick.

²⁷ For indeed he was sick nigh unto death: but God had mercy on him; and not on him only, but on me also, lest I should have sorrow upon sorrow.

²⁸ I sent him therefore the more carefully, that, when ye see him again, ye may rejoice, and that I may be the less sorrowful.

²⁹ Receive him therefore in the Lord with all gladness; and hold such in reputation:

³⁰ Because for the work of Christ he was nigh unto death, not regarding his life, to supply your lack of service toward me.