John 14

Which worship songs are based on John 14?

Kingdom II — Allie Paige (2025) John 14:1
The phrase about not letting the heart be troubled echoes Jesus' words in John 14:1, where He comforts His disciples by urging them to trust in God.
Jaybird — Big Daddy Weave (2025) John 14:1-3
The song expresses a hope for reunion in a place where no one dies, which resonates with the promise of Jesus preparing a place for believers in His Father's house.
Dimensions — Jess Ray (2025) John 14:1-3
The song references the idea of not letting hearts be troubled and the promise of returning to take someone to be with the speaker, which closely aligns with Jesus' assurance in John 14 about preparing a place and returning for His followers.
The Way, the Truth, the Life — Stryper (2022) John 14:1-6
The chorus closely reproduces Jesus’ farewell teaching that he is the way, truth, and life, that access to the Father is through him, and that his disciples should not be troubled about where he is going.
Good Grace — Hillsong UNITED (2019) John 14:1
The chorus directly adopts Jesus’ reassurance to his disciples during the farewell discourse, where he comforts them before his departure and crucifixion.
Homesick For Heaven (Petey Remix) — Phil Wickham (2026) John 14:2
The song closely reproduces Jesus’ assurance that his Father’s house contains many dwelling places, using that promise to present heaven as a prepared and welcoming home.
Letters To Heaven — 11th Hour (2021) John 14:2-3
The deceased believer's heavenly residence and the singer's expectation of eventually arriving there evoke Jesus' promise of prepared dwelling places and future reunion.
Two Pennies — Between Thieves (2025) John 14:2
The mention of a 'mansion waiting up above' alludes to the imagery found in John 14:2, where Jesus speaks of preparing a place for believers, reinforcing the promise of eternal life.
Can We Go Home Now — Brandon Heath (2024) John 14:2-3
The desire for a prepared room in God's house and for Christ to return and bring believers home closely follows Jesus' promise to prepare a place and come back for his disciples.
I’m Going Home — Natalie Bergman (2021) John 14:2-3
The opening closely reflects Jesus’ promise that he will return and bring his followers to the place prepared for them in his Father’s house. The song renders that promised gathering as a personal homecoming.
Homesick For Heaven — Phil Wickham (2025) John 14:2
The lyrics reference the concept of 'my Father's house' having many rooms, which directly quotes the promise made by Jesus about Heaven in John 14:2.
I Believe — Phil Wickham (2023) John 14:2-3
The expectation that Jesus is preparing a heavenly place for the believer closely follows his promise to prepare a place for his disciples and return for them.
Father's House — Maddi Jane (2025) John 14:2-3
The identification of the Father's house as a permanent home closely evokes Jesus' description of his Father's house as the place prepared for his followers.
Shall Not Want — Elevation Worship (2021) John 14:2-3
The promised heavenly mansion and the expectation of being received into Christ’s presence reflect Jesus’ assurance that he prepares a place for his followers and will receive them to himself.
Soon — Brooke Ligertwood (2023) John 14:2-3
The expectation of going to a place personally prepared by Christ directly recalls his promise to prepare a place for his disciples and receive them to himself.
Farther Along — Ron Carter & Ricky Dillard & The Baylor Project (2026) John 14:2
The song references the imagery of a 'bright mansion,' which alludes to the promise of dwelling places in the Father's house as described in John 14:2, symbolizing hope and divine promise.
Good Guys — Bizzle (2020) John 14:2-3
The expectation of dwelling with Christ in a heavenly mansion specifically recalls Jesus' promise to prepare places in his Father's house so that his followers may be with him.
In A Little While — CeCe Winans (2024) John 14:2-3
The song recalls Jesus’ promise to prepare a place for his followers and then return to receive them into his dwelling.
Me on Your Mind — Matthew West (2022) John 14:2-3
The final verse draws directly on Jesus’ promise that he is preparing a place for his followers in the Father’s heavenly dwelling.
Banaka Nako Ea Me E Haufi — Solly Moholo (2018) John 14:2-3
The song explicitly attributes to Jesus the promise that the Father's house has ample dwelling space and that he will receive his followers there. This closely paraphrases Jesus' farewell assurance to his disciples.
Filho (Ao Vivo) — Gabriel Guedes de Almeida (2021) John 14:2-3
The assurance that there is a place for the singer in God’s house closely parallels Jesus’ promise that the Father’s house contains dwelling places prepared for his followers.
Mansions — Anne Wilson (2022) John 14:2-3
The chorus directly invokes Jesus’ promise that his Father’s house contains many dwelling places and that he prepares a place for his followers.
Wholy Holy (live at New Temple Missionary Baptist Church, Los Angeles, January 13, 1972) (single edit) — Aretha Franklin (2019) John 14:2-3
The song recalls Jesus' farewell assurance that his departure would be followed by his return. This closely parallels his promise to go away and come again for his followers.
Tin Roof — Chris Tomlin (2020) John 14:2-3
The promise of abundant heavenly dwellings recalls Jesus’ assurance that his Father’s house contains many dwelling places prepared for his followers.
Outskirts of Heaven (feat. Craig Campbell) — Warren Zeiders & Craig Campbell (2021) John 14:2-3
The King James Bible and a heavenly mansion prepared personally for the believer specifically evoke Jesus' promise that he goes to prepare a dwelling place for his followers.
Summer In The Streets — Guvna B (2018) John 14:2-3
The expectation of having a heavenly mansion and being reunited there draws specifically on Jesus’ promise of dwelling places in his Father’s house and his return to gather his followers.
Quien Dices Que Soy — Hillsong Worship, Hillsong en Español, Brooke Ligertwood (2019) John 14:2-3
The chorus invokes Jesus’ teaching about the Father’s house having room and a prepared place for those who belong to him.
Mercy Is A Song — Matthew West (2017) John 14:2-3
The description of heaven as a promised mansion recalls Jesus’ assurance that his Father’s house contains many dwelling places and that he is preparing a place for his followers.
Who You Say I Am — Hillsong Worship (2018) John 14:2-3
The chorus combines Jesus’ description of his Father’s house with his promise to prepare a place for his followers.
Pérola — Elaine de Jesus (2018) John 14:2-3
The promise of another dwelling awaiting believers and of Jesus returning to receive them closely parallels Christ's promise to prepare a place and come again for his followers.
Smile (Life Room) — Jonathan McReynolds & Grashovia “Grandy” Wilson (2018) John 14:3
The recurring expectation that Christ will soon return to receive the believer closely reflects Jesus’ promise to return and gather his followers to himself.
The Way, the Truth and the Life (Live) — CityAlight (2024) John 14:6
The song repeatedly uses Jesus’ threefold self-identification from his farewell discourse, presenting Christ himself as the exclusive path to the Father, the embodiment of truth, and the source of life.
Only You Lord, Only You — 11th Hour (2024) John 14:6
The repeated identification of Christ with the way and the truth clearly draws from Jesus’ self-description, though the song substitutes light for life.
This Is Not the End — 11th Hour (2024) John 14:6
The song directly invokes Jesus’ self-identification as the way and the truth, presenting him as the source of enduring hope.
Every Morning — Aaron Shust (2021) John 14:6
The bridge directly invokes Jesus’ threefold self-description in his farewell discourse, identifying him as the exclusive source of access to the Father.
REBEL — Anne Wilson (2023) John 14:6
The description of Jesus as the way, life, and truth closely reproduces Jesus' self-identification in John, with the final two terms reordered.
Every Step to Take — ApologetiX (2022) John 14:6
The declaration that Jesus Christ is the sole saving way unmistakably echoes Jesus' exclusive identification of himself as the way and the truth through whom access to the Father comes.
A Promessa — AMD Letrista (2024) John 14:6
Christ's self-identification as the way and the truth directly reproduces two elements of Jesus' declaration to his disciples.
That’s What We Need — Anne Wilson (2022) John 14:6
The chorus directly invokes Jesus’ exclusive identification of himself as the way, the truth, and the life.
My Source — Carrollton (2020) John 14:6
Identifying Jesus personally as truth closely reflects His declaration that He is the truth and that access to the Father centers upon Him.
Singin' Hallelujah — DreamerJazz (2024) John 14:6
The song identifies Jesus as the way, directly echoing Jesus’ self-description to his disciples in John 14.
ALL I NEED — Forrest Frank (2024) John 14:6
The declaration that Jesus alone is the way closely restates Jesus’s exclusive claim about access to the Father.
Phenomena (Da Da) - Hollinger Remix — Hillsong Young & Free (2022) John 14:6
The song identifies Jesus using the threefold description from his response to Thomas, with only a slight change in word order.
Resurrected — Lecrae (2026) John 14:6
The song references 'The Way,' which directly alludes to Jesus' declaration of being the way, the truth, and the life.
All That I Need — Maverick City Music & Dante Bowe & GRAHAM (2025) John 14:6
The song explicitly references Jesus as 'the Way, the Truth, and the Life,' which directly quotes John 14:6, affirming His role as the sole path to God and truth.
All That Matters — Gateway Youth (2022) John 14:6
The song directly identifies Jesus with truth and therefore treats his teaching as wholly trustworthy, echoing Jesus' self-identification as the truth.
King — Beckah Shae (2019) John 14:6
Its confession of one exclusive way and truth, in the immediate context of life, closely follows Jesus’ self-identification in John 14.
The Christ And Cornerstone (Live) — Bethel Music, Josh Baldwin (2025) John 14:6
The song describes Jesus as 'the way,' 'the truth,' and 'the life,' echoing the declaration made by Jesus in John 14:6 about His role as the exclusive path to the Father.
Believe It — ELEVATION RHYTHM (2025) John 14:6
The song explicitly references Jesus as 'the Way, the Life, the Truth,' which directly quotes John 14:6 where Jesus identifies Himself in this manner.
Sing Of Your Love — ELEVATION RHYTHM, Joe L Barnes (2025) John 14:6
The song references Jesus as 'the way, the truth, the life,' which closely paraphrases a statement made by Jesus in the Gospel of John, emphasizing His role as the source of truth and guidance.
Yo Quiero Cantar — Elevation Español (2026) John 14:6
The song addresses Jesus with two of the three titles he uses for himself in this verse, identifying him as the way and the truth.
WAY — Limoblaze & Jackie Hill Perry & Princeton South (2026) John 14:6
The repeated identification of God as the Way closely invokes Jesus’ self-identification as the way to the Father.
True Religion — J. Monty (2024) John 14:6
The song closely restates Jesus’ teaching that access to the Father comes exclusively through him.
Abide — Aaron Williams & CAiN (2025) John 14:6
The song directly quotes the phrase 'the Way, the Truth, and the Life,' which is a declaration made by Jesus in John 14:6, emphasizing His role as the source of spiritual truth and guidance.
God Did (DnB Remix) — RUA YOUNG & KHIM & Virion (2025) John 14:6
The repeated identification of Jesus as the definitive path echoes Christ's self-identification in his discourse with the disciples.
2nd Opinions — Casting Crowns (2022) John 14:6
The final verse directly invokes Jesus’ declaration that he uniquely embodies the way, the truth, and the life, using it to reject the claim that every spiritual path leads to heaven.
Gentle Healer — Casting Crowns (2022) John 14:6
The closing identification of Jesus uses two of the personal designations from his declaration that he uniquely embodies truth and provides the way to the Father.
I Know That I Know - Live — The Belonging Co & David Dennis (2025) John 14:6
The lyrics explicitly reference Jesus as 'the way, the truth, the life,' directly quoting John 14:6, where Jesus describes Himself as the exclusive path to God.
My Light — Colton Dixon (2023) John 14:6
The bridge applies to God the threefold description Jesus uses of himself while comforting and instructing his disciples before his death.
Jesus — Judikay (2024) John 14:6
The song closely restates Jesus' exclusive identification of himself as the way, the truth, and the life.
Saudade de Você — Thalles Roberto (2025) John 14:6
The singer identifies Jesus personally as the only truth, life, and way, unmistakably adapting Jesus’ declaration about himself in John 14:6.
Hand of God — Todd Galberth & Chandler Moore (2025) John 14:6
The bridge's repeated identification of Jesus as the sole way clearly echoes His exclusive claim in John's Gospel.
The Name - Live — Planetshakers (2025) John 14:6
The song directly uses Jesus' threefold self-description from his response to Thomas concerning access to the Father.
Sing The Name (Live) — The Belonging Co & Henry Seeley (2023) John 14:6
The bridge applies Jesus’ threefold self-designation from his teaching to the disciples, identifying him as the exclusive source of access to the Father.
Focus (feat. Josiah Bassey) — Transformation Worship & Josiah Bassey (2025) John 14:6
The lyrics explicitly reference Jesus as 'the way, the truth, and the life,' which directly quotes John 14:6, emphasizing the centrality of Christ in the believer's life.
Abide — Aaron Williams & Jon Reddick (2024) John 14:6
The chorus directly adopts Jesus’ threefold description of himself during his farewell discourse, identifying him as the sole means of access to the Father.
Está Consumado — Julliany Souza (2025) John 14:6
The refrain closely reproduces Jesus' threefold self-identification and his declaration that access to the Father comes exclusively through him.
Like You — Bizzle (2023) John 14:6
The chorus directly invokes Jesus’ exclusive self-identification as the way, the truth, and the life, supporting the song’s claim that no rival can accomplish what he does.
Best Friends (acoustic) — Hillsong Young & Free (2021) John 14:6
The song identifies Jesus personally as Truth while repeatedly seeking a different and higher way, strongly echoing Jesus’ self-identification as the way and the truth.
Shine Like Stars — Passion (2022) John 14:6
The repeated confession that Jesus alone provides the way directly echoes Christ’s exclusive claim about access to the Father.
White Horse — Skillet (2022) John 14:6
The introduction reproduces Jesus’ threefold self-identification concerning the way, truth, and life, establishing that the speaking authority is Christ.
I'll Follow - Live — Cody Carnes (2022) John 14:6
The chorus directly repeats Jesus' threefold self-identification given during his farewell discourse to the disciples.
Believe For It — CeCe Winans (2021) John 14:6
The bridge directly adopts Jesus’ self-identification as the way and applies it to situations where no path forward appears possible.
MAYDAY — Alex Zurdo (2025) John 14:6
The prayer identifies life, truth, and the way together, unmistakably invoking Jesus’ self-description in John 14:6 while adapting it to the song’s journey metaphor.
Living Water — Anne Wilson (2022) John 14:6
The song directly applies Jesus’ threefold description of himself as the exclusive source of access to the Father.
The Way — Emcee N.I.C.E. (2022) John 14:6
The refrain identifies Christ with the way and life, closely adapting Jesus’ self-identification in John 14:6 while substituting light for truth.
Here’s to the One — Hillsong UNITED (2019) John 14:6
The chorus directly uses Jesus’ threefold self-description as the exclusive way to the Father, the embodiment of truth, and the source of life.
Living Proof — Katy Nichole (2023) John 14:6
The bridge invokes Jesus’ threefold self-identification as the way, the truth, and the life, though it rearranges the final two titles.
The Gospel — Bizzle (2018) John 14:6
The closing declaration directly reproduces Jesus' threefold self-identification in his teaching to the disciples.
Lead On (King Eternal) [Live] — Aaron Shust (2017) John 14:6
The chorus deliberately combines the distinctive triad of way, truth, and life while pledging to follow Christ, clearly invoking Jesus’ self-identification in this verse.
Running to the Light — Brandon Lake (2020) John 14:6
The chorus reproduces Jesus' threefold identification of himself as the way, the truth, and the life.
Rescuer (Good News) — Rend Collective (2017) John 14:6
Jesus’ threefold self-description concerning the way to the Father, truth, and life is reproduced almost verbatim.
Take It to the Cross — Stryper (2018) John 14:6
The song directly presents Jesus’ declaration that he uniquely embodies the way, truth, and life and that access to the Father comes through him.
Shelter — Carrollton (2017) John 14:6
The bridge adopts two of the distinctive titles Jesus uses for himself while preparing his disciples for his departure.
I Want You — Jon Thurlow (2017) John 14:6
The description of God as the exclusive way and life directly adapts two of the titles Jesus applies to himself in this verse.
Crazy — Newsboys (2016) John 14:6
Jesus is presented as the exclusive path to eternal life, closely paraphrasing his claim to be the way through whom people come to the Father.
Unashamed — Brian Free & Assurance (2017) John 14:6
The song explicitly presents Jesus as the exclusive way of salvation for all people, closely paraphrasing Jesus' claim that access to the Father is through him alone.
One Awkward Moment — Casting Crowns (2018) John 14:6
The bridge and outro unmistakably restate Jesus’ identification of himself as the way, the truth, and the life, while reordering the three titles and emphasizing his constancy amid suffering.
Only Way - Live — Planetshakers (2019) John 14:6
The chorus identifies Jesus as the exclusive way, directly echoing Jesus’ declaration that access to the Father is through him alone.
Higher And Higher — Switch (2019) John 14:6
The pre-chorus directly invokes Jesus’ exclusive self-identification as the way, the truth, and the life, though the titles appear in a different order.
Great Is the Lord — Jonathan McReynolds & Corey Barksdale & Tonya Baker (2018) John 14:6
The post-chorus combines Johannine descriptions of Jesus as the light and the truth with the exclusive claim that access to the Father is through him.
Just Jesus (Lark Remix) — Hillsong Young & Free (2018) John 14:6
The song repeatedly uses Jesus’ threefold self-identification from his response to Thomas, presenting him as the exclusive means of access to the Father and the complete ground of faith.
You Are Life — Hillsong Worship (2018) John 14:6
The song identifies Jesus as life and as the unique one who opens access for believers, closely reflecting Jesus’ self-identification as the way and the life.
Always Only Jesus - Live — Grace City & Raney Wade Shoults (2019) John 14:6
Identifying Jesus as the sole way closely paraphrases his claim to be the way through whom people come to the Father.
Strength of My Heart — People of the Earth (2018) John 14:6
The second verse directly invokes Jesus' threefold self-identification in his response to Thomas about access to the Father.
Jesus Beautiful — Vineyard Worship (2019) John 14:9-10
The bridge presents seeing Jesus as seeing God, directly recalling Jesus' statement that whoever has seen him has seen the Father. Its reference to Jesus' voice also reflects the passage's emphasis that his words come from the Father dwelling in him.
You Are Our God (Live) — Josh Baldwin (2024) John 14:12
The claim that Jesus promised his followers greater works closely paraphrases his teaching to the disciples in John 14.
EXPERIENCE — Mitch Wong (2025) John 14:12
The statement attributed to Jesus about greater things closely invokes his promise that believers would perform greater works as his mission continued.
My Hands Are Open — Bethel Music (2020) John 14:12
The expectation of doing greater things with Christ strongly echoes Jesus' promise that believers will continue his works and do greater works.
Did You Mean Me? — Todd Agnew (2017) John 14:12
The singer's question about believers doing greater things directly engages Jesus' promise that those who believe in him will do greater works.
The Great I Am Can — Brandon Lake (2025) John 14:13-14
The bridge paraphrases Jesus' promise concerning requests made in his name and his power to answer them.
Há Poder - Ao Vivo — fhop music (2025) John 14:13-14
The bridge directly reflects Jesus' teaching that His followers may make requests in His name, grounding prayer in His authority rather than in an independent human power.
Obey — Tiffany Hudson (2023) John 14:15
The chorus presents obedience to Jesus as the voluntary expression of love for him, directly reflecting Jesus’ connection between loving him and keeping his commands.
Letter to the Church — Bryson Gray (2021) John 14:15
The song explicitly cites Jesus' statement connecting love for him with obedience to his commandments.
Lost in You — MercyMe (2022) John 14:16-18
The prayer for the Holy Spirit to provide continual remembrance of God's presence combines two distinctive elements of Jesus' farewell discourse: the Spirit's abiding companionship and his ministry of reminding believers of Jesus' teaching.
The Greatest Love of All — Neal Morse (2019) John 14:16-18
Jesus' assurance that Mary will not be left without comfort directly invokes his promise of the abiding Spirit and his refusal to leave the disciples orphaned.
Jesus Is Mine — Tasha Cobbs Leonard (2022) John 14:18
The combined declarations that believers are not abandoned as orphans and that Christ makes His home with them closely follow Jesus' promises in John 14.
How to Be Yours — Chris Renzema (2018) John 14:18
The singer's orphan-like insecurity is answered by God's assurance that he will not abandon him, closely reflecting Jesus' promise not to leave his disciples as orphans.
Fight Fear — Sam Purpose (2022) John 14:19
The chorus grounds believers’ enduring life in the fact that Jesus lives, closely paralleling Christ’s promise that his life guarantees life for his followers.
Communion — Maverick City Music & Brandon Lake & Steffany Gretzinger (2019) John 14:20
The bridge closely paraphrases Jesus' language of mutual indwelling, describing the believer as living in Christ and Christ as living in the believer.
Lindo Jesus - Ao Vivo — Isadora Pompeo (2025) John 14:23
Jesus’ promise to make the believer his dwelling closely reflects his teaching that he and the Father will come to the one who loves him and make their home there.
Chapter and Verse — Bryson Gray (2021) John 14:24
The cited verse connects failure to love Christ with failure to keep his teaching, supporting the song’s immediate emphasis on obedience.
True Religion — Allie Paige (2025) John 14:27
The mention of 'Yeshua, the Prince of Peace' directly connects to John 14:27, where Jesus speaks of giving peace that the world cannot give. This reference highlights the spiritual aspect of love and peace in the song.
Let There Be Peace On Earth - Live — Ricky Dillard (2020) John 14:27
The declaration that Christ leaves and gives peace directly reproduces Jesus' promise to his disciples.

John 14 (King James Version)

¹ Let not your heart be troubled: ye believe in God, believe also in me.

² In my Father’s house are many mansions: if it were not so, I would have told you. I go to prepare a place for you.

³ And if I go and prepare a place for you, I will come again, and receive you unto myself; that where I am, there ye may be also.

⁴ And whither I go ye know, and the way ye know.

⁵ Thomas saith unto him, Lord, we know not whither thou goest; and how can we know the way?

⁶ Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me.

⁷ If ye had known me, ye should have known my Father also: and from henceforth ye know him, and have seen him.

⁸ Philip saith unto him, Lord, shew us the Father, and it sufficeth us.

⁹ Jesus saith unto him, Have I been so long time with you, and yet hast thou not known me, Philip? he that hath seen me hath seen the Father; and how sayest thou then, Shew us the Father?

¹⁰ Believest thou not that I am in the Father, and the Father in me? the words that I speak unto you I speak not of myself: but the Father that dwelleth in me, he doeth the works.

¹¹ Believe me that I am in the Father, and the Father in me: or else believe me for the very works’ sake.

¹² Verily, verily, I say unto you, He that believeth on me, the works that I do shall he do also; and greater works than these shall he do; because I go unto my Father.

¹³ And whatsoever ye shall ask in my name, that will I do, that the Father may be glorified in the Son.

¹⁴ If ye shall ask any thing in my name, I will do it.

¹⁵ If ye love me, keep my commandments.

¹⁶ And I will pray the Father, and he shall give you another Comforter, that he may abide with you for ever;

¹⁷ Even the Spirit of truth; whom the world cannot receive, because it seeth him not, neither knoweth him: but ye know him; for he dwelleth with you, and shall be in you.

¹⁸ I will not leave you comfortless: I will come to you.

¹⁹ Yet a little while, and the world seeth me no more; but ye see me: because I live, ye shall live also.

²⁰ At that day ye shall know that I am in my Father, and ye in me, and I in you.

²¹ He that hath my commandments, and keepeth them, he it is that loveth me: and he that loveth me shall be loved of my Father, and I will love him, and will manifest myself to him.

²² Judas saith unto him, not Iscariot, Lord, how is it that thou wilt manifest thyself unto us, and not unto the world?

²³ Jesus answered and said unto him, If a man love me, he will keep my words: and my Father will love him, and we will come unto him, and make our abode with him.

²⁴ He that loveth me not keepeth not my sayings: and the word which ye hear is not mine, but the Father’s which sent me.

²⁵ These things have I spoken unto you, being yet present with you.

²⁶ But the Comforter, which is the Holy Ghost, whom the Father will send in my name, he shall teach you all things, and bring all things to your remembrance, whatsoever I have said unto you.

²⁷ Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid.

²⁸ Ye have heard how I said unto you, I go away, and come again unto you. If ye loved me, ye would rejoice, because I said, I go unto the Father: for my Father is greater than I.

²⁹ And now I have told you before it come to pass, that, when it is come to pass, ye might believe.

³⁰ Hereafter I will not talk much with you: for the prince of this world cometh, and hath nothing in me.

³¹ But that the world may know that I love the Father; and as the Father gave me commandment, even so I do. Arise, let us go hence.