Isaiah 64

Which worship songs are based on Isaiah 64?

  1. Abre os Selos - Ao Vivo — Nívea Soares (2024) Isaiah 64:1

    The appeal for God to tear open the heavens and descend is a direct adaptation of Isaiah's urgent prayer for divine intervention.

  2. Open Up the Heavens — Vertical Worship (2017) Isaiah 64:1

    The central appeal for heaven to open so that God may become visibly present parallels Isaiah’s plea for God to tear open the heavens and descend.

  3. Open the Heavens — Gateway Worship (2018) Isaiah 64:1

    The appeal for the heavens to open, combined with mountains shaking at God's arrival, closely follows Isaiah’s plea for God to descend and make the mountains quake.

  4. Jesus (Ao Vivo) — Nívea Soares (2019) Isaiah 64:1

    The plea for God to tear open the heavens and descend closely reproduces Isaiah’s prayer for a dramatic divine intervention.

  5. OH! Se Fendesses - Ao Vivo — MORADA (2019) Isaiah 64:1-2

    The repeated plea for God to tear open the heavens, descend, and make the earth tremble directly follows Isaiah’s prayer for a dramatic divine intervention.

  6. You Tell Em' Jango! I'm Too Mad! — Collective Dust (2025) Isaiah 64:6

    The lyrics express the idea that human righteousness is inadequate, paralleling the sentiment found in Isaiah where it states that all our righteous acts are like filthy rags.

  7. End the Wars — Lacey Sturm (2023) Isaiah 64:6

    The bridge uses Isaiah’s distinctive image of human righteousness as polluted garments to portray personal striving as an inadequate offering before God.

  8. No Deficit — Sam Purpose (2021) Isaiah 64:6

    The song directly invokes Isaiah’s comparison of human righteousness to polluted garments, using it to deny that Christian confidence rests on personal moral merit.

  9. Shock The Water — Behold the Beloved (2022) Isaiah 64:6

    The singer describes his inability to cleanse his own filthy condition using Isaiah's distinctive image of human righteous deeds as polluted garments before God.

  10. WHY MY HEART CHANGED — CHANGETHEWXRLD (2023) Isaiah 64:6

    The description of the singer’s good deeds as morally polluted closely echoes Isaiah’s depiction of human righteous acts as unclean garments, emphasizing that salvation cannot be earned.

  11. Your Blood Is Strong Enough — Maverick City Music & UPPERROOM & Chandler Moore (2021) Isaiah 64:6

    The description of human righteousness as still unclean closely paraphrases Isaiah’s comparison of righteous deeds to polluted garments.

  12. You Really Are — Elevation Worship (2022) Isaiah 64:8

    The paired images of God as both Potter and Father closely reflect Isaiah’s description of humanity as clay formed by its divine Father and Maker.

  13. Lead Me On (Radio Version) — Chandler Moore (2024) Isaiah 64:8

    The second verse identifies Jesus as the potter and the singer as clay being formed, directly invoking Isaiah’s image of God shaping his people as a potter shapes clay.

  14. Hands on Me — Jekalyn Carr & Mike Teezy (2024) Isaiah 64:8

    God is identified as the potter and the worshiper as clay under his shaping authority, directly reflecting Isaiah's image of humanity as God's handiwork.

  15. Temple (Live) — Ryan Ofei (2026) Isaiah 64:8

    The singer presents God as the potter and himself as clay held and shaped by God, closely matching Isaiah's image of humanity as the work of the divine Potter's hand.

  16. Oil And Offering (Live) — SEU Worship & Sydney James (2024) Isaiah 64:8

    The portrayal of God as Potter and the worshiper as clay in his hands closely follows Isaiah's description of God as Father and Potter and his people as the work of his hand.

  17. love me as i am — Matt Crocker (2025) Isaiah 64:8

    The imagery of being 'clay in Your hands' reflects the biblical metaphor of God as a potter and humanity as clay, emphasizing divine craftsmanship and transformation.

  18. Canvas And Clay (Radio Version) — Pat Barrett (2020) Isaiah 64:8

    The recurring identification of God as the potter and the singer as clay directly reflects Isaiah's image of humanity as the work shaped by God's hand.

  19. Broken Vessels — Travis Greene (2019) Isaiah 64:8

    The chorus identifies humanity as damaged material shaped by God, closely reflecting Isaiah’s communal confession that God is the Potter and his people are the clay. The song also addresses him as Father, reinforcing the specific combination of images in this verse.

  20. Made In Your Image — Hillsong Kids (2018) Isaiah 64:8

    The identification of God as the Potter and the singer as clay closely follows Isaiah's image of God's people as clay formed by their divine Maker.

  21. You’re Making Something Beautiful (Spontaneous/Live) — Pat Barrett (2019) Isaiah 64:8

    The identification of God as potter and the worshiper as clay closely matches Isaiah's image of God's people as material shaped by their Maker.

Isaiah 64 (King James Version)

1 Oh that thou wouldest rend the heavens, that thou wouldest come down, that the mountains might flow down at thy presence,

2 As when the melting fire burneth, the fire causeth the waters to boil, to make thy name known to thine adversaries, that the nations may tremble at thy presence!

3 When thou didst terrible things which we looked not for, thou camest down, the mountains flowed down at thy presence.

4 For since the beginning of the world men have not heard, nor perceived by the ear, neither hath the eye seen, O God, beside thee, what he hath prepared for him that waiteth for him.

5 Thou meetest him that rejoiceth and worketh righteousness, those that remember thee in thy ways: behold, thou art wroth; for we have sinned: in those is continuance, and we shall be saved.

6 But we are all as an unclean thing, and all our righteousnesses are as filthy rags; and we all do fade as a leaf; and our iniquities, like the wind, have taken us away.

7 And there is none that calleth upon thy name, that stirreth up himself to take hold of thee: for thou hast hid thy face from us, and hast consumed us, because of our iniquities.

8 But now, O LORD, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand.

9 Be not wroth very sore, O LORD, neither remember iniquity for ever: behold, see, we beseech thee, we are all thy people.

10 Thy holy cities are a wilderness, Zion is a wilderness, Jerusalem a desolation.

11 Our holy and our beautiful house, where our fathers praised thee, is burned up with fire: and all our pleasant things are laid waste.

12 Wilt thou refrain thyself for these things, O LORD? wilt thou hold thy peace, and afflict us very sore?